Vanderbilt's Steven Tepper named dean of Herberger Institute

December 22, 2013

Steven J. Tepper, associate director of the Curb Center for Art, Enterprise, and Public Policy and associate professor of sociology at Vanderbilt University, has been named dean of Arizona State University’s Herberger Institute for Design and the Arts, effective July 1, 2014.

Tepper is one of the nation’s founding thought leaders on the creative campus movement, which places creativity at the center of campus and academic life. He also is the nation’s leading authority on the lives and careers of arts graduates. Steven J. Tepper Download Full Image

“Professor Tepper is a renowned expert on U.S. cultural policy and his work has fostered national discussions around topics of cultural engagement and the transformative possibilities of a truly creative campus,” said ASU President Michael M. Crow. “He is visionary and entrepreneurial, and is perfectly suited to help the Herberger Institute become the model of the 21st century arts school.”

Tepper’s research and teaching focuses on creativity in education and work, conflict over art and culture, and cultural participation. He is author of "Not Here, Not Now, Not That! Protest Over Art and Culture in America" and co-editor and contributing author of the book "Engaging Art: The Next Great Transformation of America’s Cultural Life." His writings on creativity and higher education have appeared in numerous national publications, including the Chronicle of Higher Education, the Huffington Post and Fast Company.

Tepper also is the research director of SNAAP, the Strategic National Arts Alumni Project, which has surveyed more than 100,000 graduates of arts training institutions about their education and careers.

“Professor Tepper is a celebrated scholar who has made a major impact on his field and is devoted to showing the world that engagement in the arts can help students develop the creative capacity to succeed in the arts and in any career,” said ASU Provost Robert Page. “I am confident he will help take the Herberger Institute and its outstanding faculty to the next level.”

It was the faculty, said Tepper, which was one of the major things that drew him to ASU, as well as the ability to put into practice the ideas he has been advancing.

“The Herberger Institute is the largest comprehensive design and arts school in the country with a tremendous breadth of programs and a deep well of talent among its faculty,” said Tepper. “It is part of an institution eager to reinvent how we define higher education. The Herberger Institute provides an opportunity to reimagine what a 21st century arts school can be; enterprising, connected across disciplines, within communities and deployed to comment on and help solve the nation’s most important problems.

"I want Herberger to be one of the first places people look, both for inspiration, as well as insight around important artistic, social, economic and policy challenges.”

According to Tepper, his goal is to help build the best arts school in the country for students interested in developing expertise in their craft, as well as for students from all majors seeking creativity in their lives.  

“When I arrive on campus, I want to discover and celebrate the amazing work that is happening,” he said. “I plan to have a very open conversation with faculty, staff and students about their ideas for advancing the institution. Transitions are a great time to build a positive energy and begin to imagine what we want to do, to think about what makes our work rewarding and how we can share that more passionately with our students and the community.”

Prior to his position at Vanderbilt, Tepper served as deputy director of the Princeton University Center for Arts and Cultural Policy Studies. He holds a bachelor's degree from the University of North Carolina at Chapel Hill, a master's in public policy from Harvard University's John F. Kennedy School of Government and a doctorate in sociology from Princeton University.

Sharon Keeler

Cronkite School acquires historic Arizona Highways printing press

December 23, 2013

Arizona State University students can see how publications were made before the advent of computers through a printing press exhibit at the Walter Cronkite School of Journalism and Mass Communication.

The Phoenix Museum of History donated a 1940s printing press and composing table that are on display outside of the Cronkite Gallery, the school’s journalism museum. The printing press, weighing more than a ton, produced Arizona Highways, the state’s official travel publication, published by the Arizona Department of Transportation. Download Full Image

“It’s important to understand the evolution of technology,” said Win Holden, publisher of Arizona Highways. “We’re rapidly moving toward a day when there may not be any printing presses. This exhibit keeps one foot firmly in the past for students.

Cronkite Gallery curator John Craft said the printing press, manufactured by Brandtjen & Kluge, featured the world’s first successful automatic paper feeder for platen printing, a process where metal plates covered with ink press against paper. Manufacturer’s documents said Kluges, as they were called, could print up to 3,500 sheets per hour. The exhibit also includes a composing table where workers would lay out metal type for the press.

According to Brandtjen & Kluge, the printing press was initially sold in 1948 to Phelps Dodge, a Phoenix mining company. The printing press was eventually acquired by W.A. Krueger, the printing company responsible for producing Arizona Highways.

Holden estimated the printing company used the press until the mid-1960s before it was retired for newer printing technology. During that time period, famous landscape photographer Ansel Adams contributed prints to the magazine.

In the early 2000s, Arizona Highways acquired the Kluge printer and composing table from the printing company, which had since merged several times with other printers, Holden said. Arizona Highways donated it to the Phoenix Museum of History, where it was on display until the museum closed in 2009. The press was in storage prior to arriving at Cronkite.

Craft said the printing press is a welcome addition to the Cronkite Gallery.

“If you’re a student today, your whole world is the size of a smartphone,” he said. “This generous donation will help students understand the journalism technology of the past.”

Opened in 2008, the Clifford Gallery features hundreds of items, including pipes and books from Walter Cronkite’s New York office, a microphone used by Edward R. Murrow and collections of typewriters and broadcast editing equipment. The 1,500-square-foot gallery also houses artifacts of local significance, such as a Phoenix Gazette newspaper box with a copy of the last issue from 1997 and early mini-cam equipment used by the news department of KOOL-TV, the forerunner of KSAZ-TV in Phoenix.

Most of the items were donated or loaned by individuals and organizations, including the Cronkite family, the House of Broadcasting and The Arizona Republic.

The Cronkite Gallery is open to the public. It is located on the second floor of the Cronkite School on ASU’s Downtown Phoenix campus.

Reporter , ASU Now