Experimental filmmaker to headline ASU lecture on indigenous time-keeping

March 17, 2015

Multimedia producer Victor Masayesva, Jr. (Hopi) is the featured speaker in the spring 2015 installment of the Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community. He will present "Indian Time," a talk, discussion and film screening at 7 p.m., March 19 at the Heard Museum in Phoenix.

Masayesva’s transdisciplinary work addresses the subject of calendars and time-keeping in modern and ancient eras. “Calendars are not only tools to measure time; they can also be magnificent instruments to connect cosmic time with human time,” he said. Victor Masayesva Download Full Image

“They are doors that allow men to access the mystery of the cosmos and, at the same time, to correlate the activities of men with the rhythm of the stars. Indigenous peoples from the Americas have been tracking time since their arrival.”

According to Masayesva, the term “Indian Time” has been used to denigrate native people’s way of being and to keep them from inclusion in the dominant culture. But, he says, the notion of being “part of a larger order” of cosmic time-keeping can instead help indigenous youth celebrate their place within society.

“Over seven thousand years, [indigenous] lunar calendars have accurately determined ecosystems and agricultural cycles,” said Masayesva. “Their precise recordings of Venus as morning and evening star affirmed their ever-cyclic relationship with the cosmos above them and the underworld beneath. By reinvigorating the sense of cosmic time, we can initiate the dialogue that our individual existences are a part of the larger planetary consciousness and reclaim ‘Indian Time.’”

A member of the Hopi Tribe from Hotevilla, Arizona, Masayesva has been a life-long advocate for the ascendancy of the indigenous aesthetic in multimedia productions. He has promoted this aesthetic by curating programs at the Museum of Modern Art in New York City and serving as artist-in-residence at the School of Art Institute of Chicago, Walker Art Center, and Banff Centre for the Arts, and featured director and jurist at the Yamagata International Film Festival and the CLACPI Festival in La Paz, Bolivia.

Honored with the American Film Institute’s Maya Deren Award, Masayesva has been at the forefront of independent, experimental filmmaking in the Native American media community. His publications include “Husk of Time” from the University of Arizona Press, and his media work is included in the permanent collections at the Center for Creative Photography in Tucson, Arizona; the Museum of Modern Art in New York City; the Houston Museum of Art in Houston, Texas; and the Corcoran Gallery in Washington, D.C.

The Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community at Arizona State University addresses topics and issues across disciplines in the arts, humanities, sciences and politics. Underscoring indigenous American experiences and perspectives, this series seeks to create and celebrate knowledge that evolves from an inclusive indigenous worldview and that is applicable to all walks of life.

ASU sponsors include the American Indian Policy Institute; American Indian Studies Program; Department of English; School of Historical, Philosophical, and Religious Studies; Women and Gender Studies in the School of Social Transformation (all units in the College of Liberal Arts and Sciences); Indian Legal Program in the Sandra Day O’Connor College of Law; School of Art in the Herberger Institute for Design and the Arts; and Labriola National American Indian Data Center. The Heard Museum is our community partner.

Kristen LaRue

communications specialist, Department of English


ASU Insight: Zocalo Public Square: Kevin Carey “The End of College”

March 18, 2015

American society is obsessed with change and the future—yet our institutions of higher education love to advertise how long they’ve been around. Why? Kevin Carey, author of The End of College and education policy director at the New America Foundation, told a crowd at the ASU Art Museum that it’s because universities want to signal to us that they’ve always been here—and will always be the same. However, “that’s not really true,” he said. At an event co-presented by Arizona State University, Carey explained how American universities evolved, and where he thinks they’re heading next. seated panel discussion Kevin Carey, author of "The End of College" Download Full Image

Ken Fagan

Videographer, ASU Now