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“They are doors that allow men to access the mystery of the cosmos and, at the same time, to correlate the activities of men with the rhythm of the stars. Indigenous peoples from the Americas have been tracking time since their arrival.”
According to Masayesva, the term “Indian Time” has been used to denigrate native people’s way of being and to keep them from inclusion in the dominant culture. But, he says, the notion of being “part of a larger order” of cosmic time-keeping can instead help indigenous youth celebrate their place within society.
“Over seven thousand years, [indigenous] lunar calendars have accurately determined ecosystems and agricultural cycles,” said Masayesva. “Their precise recordings of Venus as morning and evening star affirmed their ever-cyclic relationship with the cosmos above them and the underworld beneath. By reinvigorating the sense of cosmic time, we can initiate the dialogue that our individual existences are a part of the larger planetary consciousness and reclaim ‘Indian Time.’”
A member of the Hopi Tribe from Hotevilla, Arizona, Masayesva has been a life-long advocate for the ascendancy of the indigenous aesthetic in multimedia productions. He has promoted this aesthetic by curating programs at the Museum of Modern Art in New York City and serving as artist-in-residence at the School of Art Institute of Chicago, Walker Art Center, and Banff Centre for the Arts, and featured director and jurist at the Yamagata International Film Festival and the CLACPI Festival in La Paz, Bolivia.
Honored with the American Film Institute’s Maya Deren Award, Masayesva has been at the forefront of independent, experimental filmmaking in the Native American media community. His publications include “Husk of Time” from the University of Arizona Press, and his media work is included in the permanent collections at the Center for Creative Photography in Tucson, Arizona; the Museum of Modern Art in New York City; the Houston Museum of Art in Houston, Texas; and the Corcoran Gallery in Washington, D.C.
The Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community at Arizona State University addresses topics and issues across disciplines in the arts, humanities, sciences and politics. Underscoring indigenous American experiences and perspectives, this series seeks to create and celebrate knowledge that evolves from an inclusive indigenous worldview and that is applicable to all walks of life.
ASU sponsors include the American Indian Policy Institute; American Indian Studies Program; Department of English; School of Historical, Philosophical, and Religious Studies; Women and Gender Studies in the School of Social Transformation (all units in the College of Liberal Arts and Sciences); Indian Legal Program in the Sandra Day O’Connor College of Law; School of Art in the Herberger Institute for Design and the Arts; and Labriola National American Indian Data Center. The Heard Museum is our community partner.