Graduate students can help build new 'Impacting Equality' labs in virtual workshop


September 21, 2020

Arizona State University graduate students interested in addressing inequality through their coursework have the unique opportunity to help design the curriculum for new interdisciplinary labs focused on “Impacting Inequality.”

Interested students will help create the lab classes in a workshop with lab faculty on Sept. 29. The new Interdisciplinary Solutions for Social Impact labs will be offered during spring 2021.  Students attend workshop Download Full Image

The Interdisciplinary Solutions for Social Impact labs model  

To encourage interdisciplinary collaboration and inspire cutting-edge learning opportunities for graduate students, the Graduate College launched the Graduate College Fellows Initiative in 2019. The two inaugural fellows — University Professor, Regents Professor and President's Professor Sally Kitch and W. P.  Carey Clinical Assistant Professor John Wisneski — collaborated to create the first comprehensive model for a new cross-campus experience: Interdisciplinary Solutions for Social Impact (ISSI).

Rooted in team-taught, project-based learning, ISSI will support interdisciplinary laboratories that bring together faculty and graduate students exploring complex social problems. The first labs will launch in the spring 2021 and focus on the theme “Impacting Inequality.”  A number of ASU faculty members are participating in the 2020–21 lab. 

The most compelling aspect of being part of the inaugural lab experience is the opportunity of bringing like-minded faculty and graduate students from interdisciplinary fields who think about social justice on a regular basis in their research approaches and who want to collaborate to develop solutions based models,” said Rafael A. Martínez, assistant professor of Southwest borderlands. 

Participating lab faculty include:

  • Felipe Castro, Edson College of Nursing and Health Innovation.
  • David Garcia, Mary Lou Fulton Teachers College.
  • Maria Rosario Jackson, Herberger Institute for Design and the Arts.
  • Brendan O’Connor, School of Transborder Studies.
  • Dawn Gilpin, Walter Cronkite School of Journalism and Mass Communication.
  • Rafael Martínez Orozco, College of Integrative Sciences and Arts.

Graduate students can join faculty to build the ISSI labs 

The Interdisciplinary Solutions for Social Impact workshop will take place from 9 a.m. to noon Sept. 29. In the virtual workshop, students will be expected to actively engage in dialogue with lab faculty to help build student-centered curriculum.  

The first half of the workshop will be focused on the values of interdisciplinary approaches: why they’re needed and why they’re so hard to implement. The second half will include interactive activities designed to generate productive questions and approaches around which the team-taught spring 2021 labs will be based.

Martínez said he is looking forward to learning more about the students and their interests: “What are the issues they care about? And how can the faculty members collaborate with students to think about producing ideas and solutions to those pressing social issues?”

Space is limited so interested graduate students should register for the workshop as soon as possible to reserve their place.

Tracy Viselli

Director of Communications and Marketing, Graduate College

480-727-0769

Live from ASU continues virtual concert series this fall

Free live concerts featuring Omar Apollo and D Smoke


September 21, 2020

After presenting Jason Derulo and Icona Pop this summer to thousands of people digitally, Live from ASU is back this fall with more live music on a screen near you with two virtual concerts. Presented by the ASU 365 Community Union, the concerts feature two fresh artists in Omar Apollo and D Smoke. Both artists pay tribute to their diverse cultures and will offer something lively and engaging in a live digital format for the ASU Community and the public.

Mexican American bilingual singer-songwriter Omar Apollo will perform live in the first fall concert at 7 p.m. Thursday, Oct. 8. The second concert features D Smoke, a former Inglewood High Spanish teacher turned breakout star of Netflix’s "Rhythm + Flow," at 7 p.m. Thursday, Nov. 12. Both artists produce bilingual music that highlights their own experiences growing up in multicultural environments. Omar Apollo laying on blue silk floor Omar Apollo will perform live in the fall virtual concert series Live from ASU presented by ASU 365 Community Union. Download Full Image

“The shows must go on — and they will with ‘Live from ASU,” said Colleen Jennings-Roggensack, ASU vice president for cultural affairs. “These virtual concerts are reflective of the diversity of our community and will bring the energy and excitement of a live show, plus the intimacy of a postshow Q&A with the artist.”

The Q&A will be hosted by an ASU student and members of the community can begin submitting questions now using the hashtag #ASULive for an opportunity to have their question answered.

The ASU concert series "Live from ASU" was conceived by ASU President Michael Crow as a way to engage with students and the ASU community during the COVID-19 pandemic. Each performance will be an opportunity to reinforce ASU’s commitment to students and its culture of innovation, as well as provide an interactive shared experience with artists.

The ASU community and the public can tune in to watch each livestream at livefromasu.com. Concerts will be broadcast live in Mountain Standard Time and will not be available for replay or redistribution.

Omar Apollo
7 p.m. Thursday, Oct. 8

Apollo, a 22-year-old, first-generation Mexican American singer from Indiana, began writing and recording his own mix of jazz, R&B, funk, alternative, soul, and pop music. His parents moved to the U.S. to give their kids a better life and the opportunity to go to college; however, Apollo always knew this route wasn’t meant for him. He began playing guitar at 12 years old, but quit soon after because he got bored of only playing in church. At age 18, he began listening to new styles of music and fell in love with the guitar again. His biggest influences are Benny Sings, D'Angelo, Los Panchos, John Mayer, Elliott Smith, Cuco Sánchez, Paul Simon, Gary Numan and João Gilberto. In 2019, Apollo completed back-to-back sell-out headlining tours throughout North America.

D Smoke
7 p.m. Thursday, Nov. 12

Hailing from Inglewood, California, Smoke personifies the city’s potent cultural duality: ​nurtured by the boulevards, and ​natured​ by a family’s legacy in gospel music. Smoke dove fingers-first into classical piano at the age of 6, honing his talents in church, and eventually lending vocals to Michael Jackson. Focusing on the creative arts helped him to circumvent the throes of violence present on his doorstep and propel himself into the classrooms of UCLA. During his matriculation, D Smoke was a beacon of light for his city, becoming a voice for the voiceless, using language, culture and music as tools to bridge institutionalized gaps and spread the gospel of a united Los Angeles culture. During the same years he spent in Westwood, D Smoke gained a unique and immersive industry experience by collaborating across genres with everyone from Usher, Babyface, Mary J Blige and Jahiem, to Missy Elliot, Timbaland and the Pussycat Dolls. His hard work garnered an ASCAP ​Song Of The Year ​award. After college, he taught Spanish at Inglewood High, applying his personal experiences as an alumnus and lifelong city resident to create a safe space for students to truly express themselves openly.

As of 2019, D Smoke gained global notoriety as champion and undisputed breakout star of Netflix’s ​"Rhythm + Flow."​ Smoke showcased himself as a raw lyricist, classically-trained musician and social activist with “something to say” — and nothing left to prove. The ​"Inglewood High" ​EP, released on Oct. 24, 2019, reveals the beauty and frustration of today’s Inglewood through the eyes of his former students, while capturing the essence of the city that raised him.

Kimberly Inglese

Marketing and Sales Coordinator, ASU 365 Community Union

480-727-9163

 
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New faces in the School of International Letters and Cultures

September 18, 2020

ASU’s School of International Letters and Cultures is proud to welcome 10 new faculty members and one postdoctoral scholar in the fall 2020 semester.

These accomplished individuals bring new courses, research interests, and experience to the school as it continues to expand its language and culture offerings. Meet the newest members of the School of International Letters and Cultures:

Britta Ager, assistant professor, classics

Britta Ager


Britta Ager joins the school’s classics program. She received her PhD in classical studies from the University of Michigan. Her research interests include Roman history, ancient agriculture, ritual and magic, and sensory studies.

She has taught at a variety of institutions across the United States, most recently Colorado College.

Hope M. Anderson, clinical assistant professor, Spanish

Hope Anderson


Hope Anderson is joining the Spanish and Portuguese section as its new director of Spanish second language acquisition. She received her PhD in second language acquisition and teaching from the University of Arizona. Her research interests include second language curriculum design and technology. Her first book, "Blended Basic Language Courses: Design, Pedagogy, and Implementation," was published in 2018. Most recently, she was an assistant professor of Spanish at the University of Massachusetts Lowell.

María José Domínguez, instructor, Spanish

Maria Jose Dominguez

María José Domínguez


María José Domínguez joins the Spanish and Portuguese section to teach Spanish. She received her PhD and MA in Spanish from Arizona State University. Her research focuses on cultural studies, literature, pedagogy, female writers, and female fictional characters. She has published in journals such as Ámbitos Feministas and Comedia Performance. She is an editorial assistant to the journal Laberinto. She previously worked as a journalist for El Mundo, the second-largest newspaper in Spain, and has taught around the world. This semester, she will be pursuing certification as a Global Advocate at ASU.

Hiroko Hino, instructor, Japanese

Hiroko Hino is joining the school’s East and Southeast Asian section. She received her MA in applied linguistics from the University of Sydney. Her research interests include Japanese language pedagogy, second language acquisition and systemic functional linguistics. She has been teaching for over 30 years in Japan, Australia, and the United States. She previously worked for CET Academic Programs in Osaka, Japan.

Judit Kroo, assistant professor, Japanese

Judit Kroo


Judit Kroo joins the school's East and Southeast Asian section. She was previously a Mellon Postdoctoral Fellow at Vassar College. She received her PhD in Japanese from Stanford University. Her research examines how younger adults use language and embodied practice to contest and re-frame ideologies associated with standard or desirable ways of living. She has published articles in journals such as Language, Culture and Society, The Journal of East Asian Popular Culture, Discourse and Communication, and Pragmatics and Society.

Norma Lopez, instructor, Spanish

Norma Lopez


Norma Lopez is joining the Spanish and Portuguese section. She received her PhD in Spanish literature and culture from Arizona State University. Her research focuses on Indigenous women, particularly the cultural, political and social dimensions of subordination. She has published in the journal Feministas Unidas and has a recent contribution in a monograph on the literary productions of the Bolivian writer Gaby Vallejo. She worked as a Spanish professor in Shenyang, China, for one year as part of a partnership between ASU and Northeastern University to offer a dual degree in Spanish and English for Chinese students.

Natalie Lozinski-Veach, assistant professor,German

Natalie Lozinski Veach

Natalie Lozinski-Veach


Natalie Lozinski-Veach joins the German program. She received her PhD in comparative literature from Brown University. Her research focuses on the intersection between critical aesthetic theory and the environmental humanities, especially animal studies, in 20th-century and 21st-century German and Polish literature. She has published articles in the journal MLN on the poet Paul Celan and the philosopher Walter Benjamin. She has previously taught at Williams College and the University of West Georgia.

Cezar Medeiros, senior lecturer,Portuguese

Cezar Madeiros


Cezar Medeiros is joining the school’s Spanish and Portuguese section. A native of Brazil, he received his PhD in second language acquisition/applied linguistics from Purdue University.

His research interests include teaching methodologies and online language acquisition.

Yueru Ni, lecturer, Chinese

Yueru Ni


Yueru Ni joins the school’s Chinese Flagship Program from the University of Iowa, where she received her MA in Asian civilizations with a focus on teaching Chinese as a second language. She also holds an MPhil in linguistics from Utrecht University in the Netherlands. Her research interests include second-language acquisition, grammar pedagogy, and language learning motivation. the past years, she has taught Chinese at the college level in China, Laos, the Netherlands , and the United States.

Lindsey Patterson, instructor, ASL

Lindsey Patterson


Lindsey Patterson is joining the American Sign Language program. She received her PhD in modern U.S. and disability history from The Ohio State University and her MA in ASL and deaf studies from Gallaudet University. Her work has been published in the Oxford University Handbook on Disability History, Journal of Social History, and Journal of Women's History. She was a senior writer and adviser for the 2020 Netflix documentary "Crip Camp and serves on the editorial board for the Disability Studies Quarterly.

W. Scott Wells, postdoctoral scholar, Korean

W. Scott Wells


W. Scott Wells joins the East and Southeast section to teach Korean as part of a Postdoctoral Fellowship from the Korea Foundation. He received his PhD in Korean language and literature from the University of British Columbia, where he also taught a variety of courses. His research interests include the history and development of East Asian inscriptional practices and the 20th-century transition from cosmopolitan writing to vernacular writing in Korea.

Kimberly Koerth

Content Writer , School of International Letters and Cultures

 
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Queer Poetry Salon provides space for community-building, celebration

Queer Poetry Salon debuts first of quarterly reading series Sept. 19.
September 17, 2020

Virginia G. Piper Center for Creative Writing, Equality Arizona partner to host quarterly series featuring queer writers

In Sarah Viren’s essay “How to Explain Lesbian Baby-making to Your West Texas Stylist,” she writes about finding herself, yet again, in the position of having to explain to someone outside the queer community that a family can be something other than nuclear.

When she read the essay last December to a group of other writers and literature lovers who had gathered in the backyard of a home in Tempe’s Maple-Ash neighborhood for the Queer Poetry Salon hosted by Equality Arizona, she felt a welcome sense of understanding and support.

“Often, as a writer, I feel that outside pressure to explain things that I wouldn’t normally have to explain within a queer circle,” said Viren, an assistant professor of language and cultures at ASU’s College of Integrative Sciences and Arts whose memoir, “Autobiography of Shadows,” is forthcoming from Scribner Books.

The Queer Poetry Salon is the brainchild of tanner menard, civic programming organizer for Equality Arizona, a nonprofit whose goal is to build the political and cultural power of Arizona’s LGBTQ community. The organization recently partnered with ASU’s Virginia G. Piper Center for Creative Writing to host quarterly readings that promise to bring “a diverse, world-class cast of queer poets” to the Valley.

This Saturday, Sept. 19, the salon will feature the writers CAConrad, Raquel Salas Rivera and Cyrée Jarelle Johnson.

“They are each revolutionary in their own right, and they are all trans or nonbinary,” said menard, who prefers they/them pronouns and doesn't capitalize their name. “I don’t think I’m exaggerating when I say Queer Poetry Salon is one of most diverse reading venues in the U.S. We’ve had Indigenous writers, Latinx and Asian writers. I’ve made it a goal to include as many different types of people as possible.”

About a year ago, menard was living in Tempe when they befriended a group of MFA writing students at ASU and were struck with the idea for the salon.

“Even though the queer population is really huge in Phoenix – it’s bigger than Chicago and Washington, D.C. – people don’t interact the way they do in some cities. There’s not a lot of centers of queer life,” menard said. “So I created the thing that I wanted for myself, which was to have a queer community around poetry.”

Soon after the salon’s first few gatherings, often taking place on the lawns of amenable residents of the aforementioned Maple-Ash neighborhood, just a stone’s throw from ASU’s Tempe campus, it garnered the attention of the folks at the Piper Center.

“This partnership has been a great way to amplify queer and trans literary voices and support community-building for LGTBQ Arizonans,” said M. McDonough, outreach programs coordinator for the Piper Center.

“Being able to enfold community support with powerful creative writing is an important way the Piper Center serves the public,” McDonough added.

Writers in general can feel like outsiders, Viren says. For writers who also identify as queer, that feeling is amplified.

“Part of figuring out how to become a writer is finding confidence,” she said. “And part of that is finding a community that supports you, particularly if you’re queer and a writer. You already feel outside of what’s considered normal, so when spaces exist that support and celebrate queer identity, it can be really powerful.”

They can also be spaces where people whose identity falls outside of what the mainstream considers normal can be free of the expectation of performance.

“What needs to happen, and what’s starting to happen,” Viren said, “is that people with (a queer) perspective don’t have to tell one set narrative. … They don’t have to write about the coming out experience. They can also just write about being a lesbian and loving apple pie.”

menard says they weren’t necessarily trying to create something for the purpose of stoking social change, but that it wouldn’t be an unwelcome byproduct.

“You can call it activism and you can look at it that way, but at same time, it’s kind of like creating something that should have been there anyway,” they said. “And I think that people finally being in a position where they feel safe enough to do something like this in a place like Arizona, that is dangerously conservative and where some people are still violently oppressed, it can be a very powerful tool for queer people, and also people who are not queer to express their allyship.”

While the magic and ambiance of a chilly autumn evening in a backyard lit by string lights is currently on hold due to social distancing measures, menard says there are some advantages to holding the salon on Zoom.

“The beauty of the current situation is that anybody can access it now, and instead of bringing just one, we were able to bring three poets,” they said.

And even though salon attendees can’t physically clink their cups of cider in cheers, the sense of connection is still there.

“It’s not the same as being together in person,” menard said, “but there’s definitely still a special spirit and vibe with the salon. A lot of friendships have been made through it, and I think people have felt safe in it. So there’s definitely still that community-building going on.”

Top photo courtesy of Pixabay

International religious leader Rabbi Jonathan Sacks presents a vision of hope for the future during virtual event

ASU-moderated discussion centered around 'Morality: Restoring the Common Good in Divided Times'


September 17, 2020

International religious leader, philosopher and award-winning author Lord Rabbi Jonathan Sacks spoke to more than 430 people from 13 countries in a virtual discussion on Sept. 10, centered around his latest book, "Morality: Restoring the Common Good in Divided Times."

The inaugural event for “Conversations on Religion, Ethics, and Science (CORES)” for the John Templeton Foundation was moderated by Pauline Davies, Professor of Practice at Hugh Downs School of Human Communication, with an additional discussion led by John Carlson, director of the Center for the Study of Religion and Conflict; Paul Carrese, director of the School of Civic and Economic Thought and Leadership; Paul Davies, director of Beyond: Center for Fundamental Concepts in Sciences; and Hava Tirosh-Samuelson, director of the Center for Jewish Studies Lord Rabbi Jonathan Sacks Lord Rabbi Jonathan Sacks

"Morality" explores moral philosophy, public discourse and the elevation of self-interest over the common good. As communities around the world have experienced in the past six months of COVID-19, bringing people together for the common good proves to be more challenging than ever. 

This timely discussion revolved around the cultural and political forces that have divided Britain, America and the wider world, and Sacks’ sincere wish that people develop a "we" versus an "I" mentality.

“We are collectively responsible for the creation of a society that will benefit the common good — benefit those, who right now are least benefiting from it," Sacks said. "That was always a part of British and American society from the 17th century, maybe even earlier, until the 1950s. Somehow we became so affluent, the world around us seemed so relatively free of threats to our peace and security that we didn’t notice as this entire moral domain became fragmented.

"So that instead of thinking about what’s good for all of us, we focused on what’s good for me. I suggested that society can’t carry on like that. We do need to be held together in bonds of mutual responsibility because without it, we will indeed fragment.” 

“I really enjoyed listening to Rabbi Sacks’ webinar,” said Kaitlyn Skamas, a first-year student in the College of Integrative Arts and Sciences. “I thought the talk was going to solely be about Judaism, but to my surprise, he was very inclusive and encouraged the concept of ‘creating friendships through faith.’”

“The biggest takeaway for me was just how truly thirsty our communities are for a civil discussion among people who may disagree about many important things, yet are sincerely interested in healing the rifts in Western society,” said Professor Barry Ritchie from ASU's Department of Physics and the director of CORES. “This honest and yet respectful discussion was a model for the destination we need to seek for discussions within the university and within society.” 

 

You can watch the full conversation with Rabbi Sacks on YouTube

The CORES project is made possible through the support of a grant from the John Templeton Foundation to the Arizona Center for Christian Studies, with a subcontract to Arizona State University.

Jacey West

Communications program coordinator, School of Civic and Economic Thought and Leadership

480-727-4167

ASU professor strives to reduce health disparities in Latino communities, advocates for first-gen students of color


September 17, 2020

Why do certain groups of people have a shorter life span? How can health disparities among poor and racialized minorities be reduced? Why are Latino communities disproportionately burdened by COVID-19? These are just a few of the questions Gilberto Lopez, a new assistant professor in Arizona State University’s School of Transborder Studies, strives to answer in his work.

Lopez takes a mixed-method approach in his research that combines his social science background and public health expertise to gain a more holistic understanding of various public health issues in minority communities. Man in glasses and sweater Gilberto Lopez, assistant professor in Arizona State University’s School of Transborder Studies. Download Full Image

When the COVID-19 pandemic first swept the United States, Lopez became increasingly interested in understanding the immediate and long-term effects the virus would have on the economic and psychosocial well-being of Latino populations in Arizona and California. Through his research he found that due to a number of factors Latinos are at a higher risk of contracting COVID-19

In an effort to address one aspect of this issue, Lopez partnered with Creative Frontiers, an agency focused on creating behavior-change messaging, storytelling and health education, to develop the COVID Health Animation Project. The project features a series of animations on COVID-19 misinformation in different cultural contexts that are shared on social media through a number of health organizations and nonprofits.

Since the videos launched in April, the first three videos in the series have reached over 1.5 million people. Lopez is currently in the process of collecting data on the benefits and impacts of the animated videos.

Video courtesy of CHAP

Lopez has also partnered with the University of California, Merced’s Nicotine and Cannabis Policy Center to conduct in-depth interviews with Latinos in California’s agricultural Central Valley to better understand beliefs, attitudes and behaviors around COVID-19. With the results from these surveys, he hopes to quantify the aspects of the coronavirus that are misunderstood among this population and counter misinformation by developing additional animations and other resources in a culturally tailored way. He is currently in the process of collaborating with ASU’s College of Health Solutions to bring this study to Arizona.

His other work focuses on social determinants and disparities in cancer, mental health and the health inequities of rural immigrant populations.

Lopez said his motivation to do this work stems from his personal experiences growing up in rural California. As a son of Mexican immigrants who were farmworkers, he noticed a division in his community early on that led him to pursue higher education and better understand why different groups of people experience life in vastly different ways.

“My community was very divided into two groups — those who work the land and those who own the land,” Lopez said. “School allowed me to more systematically and theoretically understand these things. I started realizing that what we had always assumed was normal, like the high incidents of obesity, cardiovascular disease and cancer, wasn’t actually normal and not everybody lives like that. As I learned the language and concepts, and how to ask questions through lenses of anthropology, philosophy, sociology and public health, I developed a tool kit on how to systematically ask these questions.”

For years, Lopez explored issues like these at universities around the country but said as a faculty member of color he was drawn to ASU because of the diversity among faculty and students.

“The School of Transborder Studies just feels like home. For a first-gen faculty of color, who you work with is very important. Working with people who have your same history, same background and who look like you and speak the same language, not even just literally, but the concepts, the ideas we have about what it is to be an academic, really just feels like a home.”

Lopez received a doctorate degree in social and behavioral sciences from the Harvard T.H. Chan School of Public Health, a master’s degree in public health from Johns Hopkins Bloomberg School of Public Health, a master’s degree in medical anthropology from Southern Methodist University and a bachelor’s degree in anthropology and Chicano studies from California State University, Fresno.

Throughout his higher education experiences, Lopez said he found faculty who encouraged him. He hopes to do the same and serve as a mentor to first-generation students like himself.

“On my academic journey I was lucky enough to have mentors who took the time to understand and help. If it wasn't for them, I would not have gone to graduate school,” he said. “My door is always open. If there's anything I can do to help any student, first-gen or not, whether it's looking at graduate school programs, trying to decide on their major — anything I can do, I'm available.”

Emily Balli

Communications Specialist and Lead Writer, The College of Liberal Arts and Sciences

 
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ASU named a ‘best college’ by The Princeton Review

September 16, 2020

The Princeton Review has named Arizona State University one of the Best 386 Colleges in its 2021 rankings, which were compiled by surveying 143,000 students across the country.

In the 29th edition of the rankings, ASU is listed under the category of "great schools for some of the most popular undergraduate majors," highlighting ASU’s agriculture, business and finance, and journalism programs four years running. Students surveyed by The Princeton Review were quick to call the Walter Cronkite School of Journalism and Mass Communication "one of the best journalism schools in the nation."

Along with other strong academic programs and research opportunities, students also praised ASU’s "renowned business school" (W. P. Carey School of Business) and "great engineering program" (Ira A. Fulton Schools of Engineering). Undergraduates celebrated the university’s diverse student body, and notwithstanding ASU’s size, students mentioned that the university does a good job of personalizing experiences while providing an "abundance of resources," and praising their "enthusiastic, supportive and engaged" professors.

“ASU’s achievements are largely measured by the collaborative efforts created by faculty and students, especially in the field of research,” said Mark Searle, executive vice president and university provost. “We are constantly looking for ways to expand opportunities inside and outside the classroom, building stronger academic programs and innovative pathways for students to enable their success in pursuing their career aspirations and graduate or professional education.”

On sustainability, The Princeton Review ranked ASU nearly perfect. On a scale of 60-99, ASU’s green rating is 98, and has been for four years straight. ASU’s most recent commitment to sustainability involved the launch of the Julie Ann Wrigley Global Futures Laboratory, which is dedicated to keeping our planet habitable and future generations thriving. For this ranking, university and colleges are graded on whether students’ campus quality of life are both healthy and sustainable, how well the institution prepares students for clean-energy jobs and how environmentally responsible school policies are.

Not only is academic success for students important to ASU, so is access. Over the past four years, The Princeton Review’s financial aid ranking for ASU has gone up — now ranked at 85, on a scale of 60-99. The rating, based on school-reported data, measures how much financial aid the university has provided to students and how satisfied they are with the financial support.

ASU’s students’ quality of life ranking has also gone up — measured at 87, on a scale of 60-99. This ranking sums up students’ happiness outside the classroom based on factors like campus location, safety, residence hall comfort, quality of food and the friendliness of fellow students. Surveyed students suggested it’s virtually impossible to be bored on ASU campuses because students are so active and full of school spirit. ASU ranked No. 1 out of 20 universities and colleges across the nation in The Princeton Review’s “Students Pack the Stadiums” category, which is based on popularity of intercollegiate sports (in pre-pandemic times). ASU was also ranked No. 3 out of 20 for “Best College Radio Station.”

Top photo by Deanna Dent 

Jimena Garrison

Copywriter , Media Relations and Strategic Communications

 
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Bringing new voices and perspectives into the newsroom

September 15, 2020

'Must See Mondays' speaker series hosts ‘Reporting on Diverse Communities’ and NPR’s Maria Hinojosa and Keith Woods

Newsroom co-workers and society alike benefit when journalists have different perspectives and backgrounds, because they reflect diversity, equity and inclusion.

These differing perspectives could be influenced by skin color, gender or sexual orientation and should be considered assets. They not only represent a shifting America in terms of demographics, but they bring cultural competence to their organizations, according to two nationally renowned journalists.

“What we’re really talking about is dismantling white supremacy,” said Maria Hinojosa, president and founder of Futuro Media and anchor and executive producer of NPR’s Latino USA. “What we’re really talking about is white men understanding they do not have an ownership on so-called objectivity or fairness. … They have one way of seeing the world.”

Hinojosa’s comment was made at “Reporting on Diverse Communities,” a Sept. 14 panel discussion that continues the fall 2020 “Must See Mondays” lecture series at the Walter Cronkite School of Journalism and Mass Communication on Arizona State University’s Downtown Phoenix campus.

Black woman in glasses and braids

Venita Hawthorne James

Moderated by Cronkite Professor of Practice Venita Hawthorne James, the other panelist for the Zoom livestream event was Keith Woods, chief diversity officer for NPR. James said she moderated the event because diverse communities deserve to be visible, valued and understood, and their stories are worthwhile.

“That’s one reason journalists of color, transgender journalists, journalists from multiple generations and from a spectrum of political and religious perspectives — and their allies — are foundational to news, sports and marketing,” said James, who has three decades of journalism experience. “Inclusive coverage also serves a higher purpose, because it connects all communities, in all their diverse splendor, to the fullness of humanity.”

The wide-ranging, hourlong discussion covered a variety of topics that included storytelling, identity, race, ethnicity, social media, allyships and societal shifts in the newsroom.

“We don’t want to take the marathon approach to work. We want change yesterday,” said Woods, who has been a journalist for more than four decades. “The moment is now. … I’m optimistic because I think that the impatience of the people who will have their way is driving this moment for us. We’re having this conversation — as many years as we’ve been having them — because people have not felt the urgency to change. And I think that’s shifting.”

Those shifts have not only taken time, but were often painful to newsroom pioneers, said Hinojosa. She said she suffered from “imposter syndrome,” which she writes about in her new book, “Once I Was You: A Memoir of Love and Hate in a Torn America.”

“I didn’t focus so much that I was the first (Latina) in the newsroom because I had a job to do. I was trying not to be overwhelmed by the imposter syndrome,” Hinojosa said. “I was busy, really trying to quiet that voice — I was like, ‘What am I doing in this editorial meeting? Nobody’s going to understand what I’m about to say.' And I would force my hand to go up. I would literally push it up, hold it up, because I had a responsibility. I think it was that immigrant responsibility. Like, you’re there, you better speak up because your parents didn’t, and you didn’t come all this way to this country to be in a newsroom and not say anything.”

Woman with brown hair and purple shirt

Maria Hinojosa

Coming from a different background means there are certain biases that a reporter brings to the newsroom, but Woods said practicing sound journalism can help overcome this.

“If we can reject the idea that there is any such thing as human impartiality, then we can get closer to fair, as long as those two notions exist,” Woods said. “The idea is that you want fair and complete, contextually accurate journalism, and you get those things by the exercising of hard questions.”

Ridding biases also includes taking other precautions as a reporter, Hinojosa said.

“You will not see me making any political contribution. You will not see me signing any petition letter,” Hinojosa said. “You will not see me participating in a protest, because I’m covering it and making it clear that I’m a journalist.”

Diversity in newsrooms often means building allyship with others from different backgrounds and learning together what’s acceptable and what’s not.

“Although my newsroom is diverse and includes white men and women, we don’t use the word ‘minority’ (or) the word ‘illegal,’” said Hinojosa, whose Futuro Media is a Harlem, New York-based nonprofit that creates multimedia content for the new America mainstream. “In my newsroom, we can make certain decisions about how we approach certain things. … It’s really hard when you become an employer because you suddenly have to have these conversations.”

Man in white hair and suit smiling

Keith Woods

Woods said he, too, is interested in building allyship, but others should note he’ll be holding them accountable.

“Allyship requires that I both meet you where you are, or you meet me where you are. But accept that I’m going to have a hand on your back pushing that we are not staying where you are,” Wood said. “An allyship cannot succeed if all you’re saying to me is, ‘This is who I am and you have to accept me.’ That’s no great value to me in an allyship. You’ve got to demonstrate you are ready to get on the starting blocks and run that sprint with me.” 

5 faculty join ASU English, boosting offerings in diversity, media and culture


September 11, 2020

Addressing present concerns in social justice, sustainability and technology, the Department of English at Arizona State University has recruited five additional faculty to its programs in film and media studies and secondary education this fall.

The uplift to ASU English’s intellectual power will enable it to continue meeting student demand for a robust and relevant humanities education. New faculty arrive with top-notch teaching credentials and exciting research agendas in secondary classroom diversity, environmental media, technoscience, popular culture and gender studies. New faculty members in the ASU Department of English, fall 2020. New faculty in ASU's Department of English are, from left to right: Gabriel Acevedo Velázquez, Lisa Han, Stacey Moran, Katherine Morrissey and Joshua Vasquez. Download Full Image

“The Department of English is delighted to welcome these new faculty to our ranks,” English Chair and Professor Krista Ratcliffe said. “Their teaching and research expertise will broaden our course offerings and enhance our contributions to disciplinary and community knowledge.”

One member of this cohort, Gabriel Acevedo Velázquez, is a specialist in teacher training. The department’s English education program is led by Professor Jessica Early, who also directs the Central Arizona Writing Project, an ASU-based site of the National Writing Project. Early praised Acevedo’s approach and skill set.

“Gabe Acevedo’s critical and social justice frameworks will be a great addition to support ASU's mission of access and equity,” she said. “His expertise will also be useful in the training of Arizona's English language arts teachers to serve the needs of our ethnically and linguistically diverse student population.”

The other four scholars — Lisa Han, Stacey Moran, Katherine Morrissey and Joshua Vasquez — are all additions to the film and media studies program, which focuses on preparing students as critical scholars, consumers and practitioners of media culture. Associate Professor Julia Himberg, author of “The New Gay for Pay: The Sexual Politics of American Television Production,” directs the program, which is part of the Department of English.

“These hires will enable us to continue expanding the range of courses we offer to students, including in digital media, gender studies and the environmental humanities," Himberg said.

Meet the new members of the ASU English faculty.

Gabriel Acevedo Velázquez, assistant professor (English education)

Gabriel T. “Gabe” Acevedo Velázquez was born and raised in Puerto Rico; his identities as a Latino, bilingual and queer educator in Puerto Rico and the U.S. inform his work. Employing critical and social justice frameworks along with qualitative methodologies in his research, Acevedo Velázquez specializes in teacher education, second language acquisition, bilingualism, queer studies, pop culture, multimodal literacies and masculinity.

A former secondary and elementary teacher of English and theater, Acevedo Velázquez hopes to develop classroom tools to expand on conversations about class, gender, sexuality and more. He holds a PhD in curriculum and instruction from Penn State University and an MA in English education from the University of Puerto Rico-Mayaguez. This fall at ASU, Acevedo Velázquez is teaching an upper-division “Methods of Teaching” course as well as a graduate seminar on young adult literature.

Lisa Yin Han, assistant professor (film and media studies)

With previous experience as a political journalist and art critic informing her work, Lisa Yin Han’s current research interests include new media studies, environmental media and critical infrastructure studies. Her dissertation examined the mediation of seabed landscapes in relation to extraction and excavation, with particular attention to offshore drilling, deep-sea mining and nautical archaeology. She has also published work on fetal ultrasound, abortion media and internet freedom.

This fall at ASU, Han is teaching the course, “Media and the Environment,” which prompts students to think through the role of environmental media in addressing challenges “from sea-level rise to species extinction.” She earned both her PhD and MA in film and media studies at the University of California, Santa Barbara.

Stacey Moran, assistant professor (film and media studies / writing, rhetorics and literacies)

With a primary appointment in the Herberger Institute’s School of Arts, Media and Engineering, Stacey Moran’s teaching duties will also include courses in The College of Liberal Arts and Sciences’ Department of English. Moran isn’t new to ASU but is instead newly minted as an assistant professor; she has previously taught in English’s film and media studies program as an affiliate lecturer.

Moran’s research lies at the intersection of feminist theory and technoscience, continental philosophy, design studies and critical pedagogy. She is associate director of the Center for Philosophical Technologies and the faculty co-director of Design and Society in the Netherlands, a summer abroad program on Dutch design. For fall 2020, Moran is teaching a rhetorical studies course in English as well as offerings in the arts, media and engineering school. She holds a PhD and MA in rhetoric from the University of California, Berkeley.

Katherine Morrissey, assistant professor (film and media studies)

Katherine Morrissey comes to ASU from San Francisco State University, where she was an assistant professor in the School of Cinema. With specialties in romance studies and transmedia, Morrissey’s work focuses on representations of female desire across popular culture, on production networks and on the impacts of digitization on creative communities. She serves as review editor for the Transformative Works and Cultures journal and as co-vice president for the International Association for the Study of Popular Romance.

This fall at ASU, Morrissey is teaching “Introduction to New Media” and “Film History” courses. She holds a PhD in English (media, cinema and digital studies) from the University of Wisconsin-Milwaukee and an MA in communication, culture and technology from Georgetown University.

Joshua Vasquez, lecturer (film and media studies)

Previously a visiting assistant professor in the Department of Gender Studies at Indiana University Bloomington, Joshua Vasquez has taught a wide variety of courses in film and media studies, as well as in gender studies and film history. His own work has focused on confluences of melancholy and masculinity throughout a range of American film from the silent period into the first decades of the 21st century. He has published on representations of race in the British science fiction series “Doctor Who” and on literary genre usage in William S. Burrough’s novel “Naked Lunch.”

Vasquez’s current research centers on intersections of comedy and melancholy in film and performance. This semester at ASU, he is teaching several core courses in the film and media studies curriculum, including a special topic offering on science fiction cinema and a graduate section on race and gender in film. Vasquez holds a PhD in film studies from the Department of Communication and Culture at Indiana University, Bloomington and an MA in cinema studies from New York University.

Kristen LaRue-Sandler

senior marking & communications specialist, Department of English

480-965-7611

Global Sport Institute, pro sport executives assemble for parity in play and pay

Membership-led community dedicated to advancing diversity and gender intelligence in sports


September 10, 2020

The Global Sport Institute at Arizona State University is convening with sports business executives to launch Pro Sports Assembly — a 501(c)(3) organization and first-of-its-kind, industrywide community that aims to achieve parity in opportunity, pay and leadership in the professional sports workforce by 2030.

Designed to keep leagues, teams and unions both knowledgeable and accountable for delivering an equitable and profitable future in professional sports organizations, The Assembly is a membership-led community that challenges its industry to advance diverse and inclusive leadership. It believes that by developing cultural and gender intelligence, as well as setting best practices of stewardship, mentorship and allyship, professional sports properties can drive innovation, bolster financial performance, capture new markets and increase brand loyalty. Global Sport Institute Download Full Image

“We are united in game plan, and diverse in council,” said Shareef Abdur-Rahim, president of NBA G League and founding advisory board member of The Assembly. “We organized our founding boards to represent the diversity that our industry-at-large needs to see. In order to truly advance collectively — we must use an equity lens in leadership.”

In its first year, The Assembly will formalize its member network and provide professional development, as well as hold virtual forums, workshops and discussions. In addition, it will commission research, share tools and develop analytics around key indicators in professional sports to distribute among the membership as a benchmark and playbook toward ensuring a more fairly functioning workplace.

“At the core of the Global Sport Institute’s mission is to make a positive impact on the world through the lens of sport,” said Kenneth Shropshire, CEO of the Global Sport Institute and board member of The Assembly. “Through research projects like our field studies, we’ve been able to examine the trends that precede the hiring data for important leadership positions in sport. In this work and in future initiatives, we are keenly aligned with Pro Sports Assembly and its purpose of working toward a more equitable future in sport.”

Pro Sports Assembly

The Assembly believes membership will be key to its purpose of advancing diverse, productive and inclusive leadership.

“For every five athletes you see on the field of play, there are 95 people behind the scenes bringing that game to life,” said Laura Dixon, head of external relations for Spurs Sports and Entertainment and founding governing board member of The Assembly. “The people who work for professional sports teams, leagues and unions now have a place to connect and collaborate on the critical issues facing our industry. The power of pro sports is truly in its people.”

Below is a complete list of The Assembly’s Founding Board Members (in alphabetical order):

Advisory board members

Andy Loughnane, president, Austin FC

Cynt Marshall, CEO, Dallas Mavericks

Ese Ighedosa, president, House of Athlete

Hugh Weber, president, Harris Blitzer Sports and Entertainment

Jessica Berman, deputy commissioner, National Lacrosse League

Kenneth Shropshire, CEO, Global Sport Institute, Arizona State University

Kyle Bunch, vice president/managing director, Global Sports Venture Studios

Len Perna, CEO, Turnkey Search

Michele Roberts, executive director, National Basketball Players Association

Shareef Abdur-Rahim, president, NBA G-League

Shelley Zalis, CEO, The Female Quotient

Theresa Tran, founder, The Offense

Tom Glick, president, Tepper Sports & Entertainment

Xavier Gutierrez, CEO, Arizona Coyotes

Governing board members

Alex Chang, chief marketing officer, San Francisco 49ers

Alison Roscoe, vice president, partnerships, Austin FC

Ann Seeney, vice president, human resources, St. Louis Cardinals

Antony Bonavita, executive vice president, venue operations, Cleveland Cavaliers

Brandon James, vice president of basketball administration/deputy general counsel, Spurs Sports and Entertainment

Brittanie Boyd, vice president, corporate partnerships, Harris Blitzer Sports and Entertainment

Cassandra Carr, investor, Spurs Sports and Entertainment

Dan Gladstone, senior vice president, THINK450/National Basketball Players Association

Dionna Widder, chief revenue officer, Houston Dynamo/Houston Dash

Keisha Wyatt, director of marketing, Dallas Mavericks

Laura Dixon, head of external relations, Spurs Sports and Entertainment

Molly Wurdack-Folt, vice president, partnerships, Detroit Tigers/Detroit Red Wings

Oracio Galindo, head of employee experience, Los Angeles Rams

Raquel “Rocky” Egusquiza, executive director, Miami Marlins Foundation

Contact Lindsay Hansen at 480-205-6195 or lindsay@ldhconsulting.net for more information.

Media Relations Officer, Media Relations & Strategic Communications

480-965-9681

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