It’s all about the process: ASU historians discuss elections throughout American history


October 26, 2020

Each election, whether it is a race for the presidency, a senate seat or a seat on a city council, captures the unique snapshot of a region or group of people in history.

Many people are referring to this year’s presidential election as the most important election in our lifetime, and no matter what the outcome might be, it will be remembered for the distinctive circumstances it is taking place under.  Vote stickers scattered on a white surface Photo courtesy of pexels.com Download Full Image

Many elections in the history of the U.S. have been seen as important and all of them for different reasons. Before you head into Election Day, learn about a few elections that may be just as novel as the current one.

Historians in Arizona State University's School of Historical, Philosophical and Religious Studies spoke about other important elections in the U.S. and the context in which they took place. 

The election of 1800

The election of 1800 took place a little over a decade after the first presidential election in the U.S. when the country was still figuring out how the government should be established. In fact, the election of 1800 established new rules about elections that are still in play today.

The main candidates in 1800 were John Adams, who was running for reelection after serving as the second president since 1796, and Thomas Jefferson.

“There was not yet the modern system in which a president and vice president run together,” said Catherine O’Donnell, professor of history. “Instead, each elector in the Electoral College cast two votes; the person who received the most became president, and the person who received the second most became vice president.”

At the time, Jefferson's supporters wanted Aaron Burr to be his vice president, and Adams' supporters wanted Charles Cotesworth Pinckney. With Jefferson running as a Republican and Adams running as a Federalist, the country was divided between two different visions for the country. 

“Thomas Jefferson favored a limited national government and was eager for the new nation to remain distinct from European societies,” O’Connell said. “Although a slaveholder, he imagined that the U.S. would do best as a republic of yeoman farmers and he understood himself to be a defender of the common man.

“Adams believed that all human societies inevitably contained hierarchies, and government should be strong enough to direct elites' interests toward the common good. He thought that the U.S. needed to develop manufacturing and banking in order to survive in a dangerous world. He also favored policies that restricted speech and immigration, policies that Jefferson found destructive to the republic.”

The election led to heated rhetoric to the point where the American people wondered if the republic could survive. Many Americans didn’t think there should be political parties, so each party saw the other as an unwelcome challenge to democracy and a betrayal to the ideals of the American Revolution. 

“Then came the vote,” O’Donnell said. “At the time, all action occurred within the Electoral College, that is, there was not a popular vote. Supporters of Jefferson and Burr had a slight numerical advantage. They meant to withhold one vote for Burr, so that Jefferson would be president and Burr vice president. Instead, each of them cast one ballot for each, and both men received 73 electoral votes.”

The vote was moved to the House of Representatives because of the tie and the House was mostly in favor of Adams. They saw an opportunity to stop Jefferson by supporting Burr as a way to advance their political interests.

“There were 36 rounds of balloting that extended deep into February of 1801,” O’Donnell said. “Finally, in part because some of those who mistrusted Jefferson mistrusted Burr even more, Jefferson emerged victorious.”

The election proved to the American people it could survive a difficult, partisan struggle and a contested election. 

"Adams accepted his loss without complaint, setting a crucial precedent for peaceful transfer of power,” O’Connell said. “In his inaugural address, Jefferson welcomed both supporters and opponents, saying, ‘We are all Federalists, we are all Republicans.’”

Of course, no one wanted to go through a similar election in the future. This led to the ratification of the 12th Amendment, which establishes the current system of choosing a president and vice president together.

'The County Election'

In 1854, the painter George Caleb Bingham painted a scene of a county election day in Missouri. The painting gives some clues to the political culture at the time.

There are no voting booths and no barriers between voters and the candidates running for office. 

“Citizens of Missouri and several other states voted viva voce or live voice,” said Calvin J. Schermerhorn, professor of history. “You got up in front of the recorder and spoke your vote. The men tipping black top hats are handing out tickets — vote for me and my party.”

Yet the painting depicts important omissions from the democratic ritual. No women and no African Americans are voting.

“The most prominent Black man is pouring cider on behalf of a candidate to a voter who apparently needs a lot of it to decide,” Schermerhorn said. “In 1854 only five states permitted Black votes, and they were all in New England. Women didn’t get the vote nationwide until 1920, though states like Wyoming permitted it in 1869 and New York in 1880.”

Beyond the poll, there appear to be voters consuming alcohol and others having discussions. 

“Election days were public festivals, and parties routinely offered their arguments with cider or whiskey chasers,” Schermerhorn said. “In fact, distiller Edmund G. Booz packaged his whiskey in glass bottles resembling log cabins since politicians liked to point to candidates’ humble origins.”

The key issues happening in the painting are not clear, but during the 1850s, Americans were divided by those who wanted slavery to expand westward and those who wanted it to stop. At the time the painting was made, Missouri was a slave state.

“Violence on the Kansas-Missouri border flared in 1854,” Schermerhorn said. “Most of the issues involved local matters of taxes and restrictions, but the government was small and there was no income tax.”

The country was in the midst of major political realignment. A new Republican Party was forming in states like Wisconsin, Illinois and Michigan since the old two-party system had collapsed. In just seven years, the country would be thrown into the Civil War as politics couldn’t contain the growing divide regarding slavery in the country. 

The election of 1964

After the assasination of president John F. Kennedy in November 1963, Lyndon B. Johnson assumed the presidency and worked to fulfill Kennedy’s commitment to the civil rights struggle. He passed the Civil Rights Act in July 1964 and launched the War on Poverty, a series of social programs designed to ameliorate the worst economic forms of discrimination during his short stretch as president. 

Johnson decided to run for election in 1964 as a Democrat from Texas against Republican candidate Barry Goldwater, a U.S. senator from Arizona.

“Goldwater, a staunch fiscal conservative who was a fierce believer in rugged individualism and American patriotism, disapproved of how Johnson handled several political crises during the president’s short tenure in office,” said Katherine Bynum, assistant professor of history. “The chill of the Cold War and the first long, hot summer intersected at a crucial moment during the presidential election of 1964.”

By attacking Johnson’s administration for their policies of Cold War liberalism, Goldwater held a political advantage. He regularly criticized the president for being too accommodating with the Soviet Union, for excessive government funding of the War on Poverty and blamed him for the urban rebellions that erupted that summer in Chicago, and Harlem and Rochester in New York.

“Like many other Americans, Goldwater disapproved of the civil rights movements and he often made erroneous links between the growth of civil rights protests in the 1960s and War on Poverty spending to the rising crime rates across the U.S.,” Bynum said. 

As a response to Goldwater’s attacks, the Johnson administration launched “one of the most controversial and successful television advertisements in our nation’s history.” They portrayed Goldwater as a "hot head" who would likely lead the country into a nuclear war with the Soviet Union. 

The advertisement was a success, but Johnson worried about Goldwater’s accusations about his excessive government spending, the rising crime rates and the spread of communism would hurt him and he ended up adjusting both his foreign and domestic policies.

“Not only did Johnson accelerate the nation’s involvement in Vietnam by falsely claiming that North Vietnamese forces attacked American ships in the Gulf of Tonkin in August 1964, but he also undercut many of the Great Society’s programs by unleashing the War on Crime,” Bynum said.

Johnson, like Goldwater, was disturbed by the rising urban rebellions happening during the summer of the election year, which arose from cases of police brutality. 

“Though Black residents who participated in the uprisings did so in response to racist policing and economic and racial exclusion, Johnson labeled them as criminals, arguing that the civil rights legislation and the War on Poverty provided Black Americans with tangible solutions,” Bynum said. “Instead of confronting discriminatory policing, Johnson introduced increased federal spending in local police agencies on an unprecedented level by passing a series anti-crime laws that not only derailed the War on Poverty but also contributed to the rise of mass incarceration.”

When the election took place in November of that year, Johnson won in a landslide, but his victory was significant for other reasons. He accommodated Republican talking points by asserting he was tough on crime and communism. 

“In doing so, he significantly undermined his commitment to Cold War racial liberalism by trying to disprove Goldwater’s claims,” said Bynum. “The acceleration of the war in Vietnam and the ill effects of his anti-crime legislation became the central focus of the presidential election of 1968 that ultimately led to the rise of the New Right.”

Participate in the historic democratic process and vote. You can vote early on any ASU campus, or you can vote by mail or in-person.

Rachel Bunning

Communications program coordinator, School of Historical, Philosophical and Religious Studies

 
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Parenting together when we’re not together anymore

October 23, 2020

Project Humanities panel discussion examines the difficulties of co-parenting children in a modern world

Raising children isn’t like it was in your parents' and grandparents’ generation. 

The family dynamic has changed because we have changed. Our choices have expanded. Our focus has shifted, and we’ve honed in on our children’s emotional and psychological well-being. There is a lot more nuance to parenting now. 

Arizona State University’s Project Humanities felt it was a subject worthy of examination and debate in a recent livestream event titled “Humanity 101 on the Homefront: Co-Parenting.”

“Even in the best of circumstances when parents or caregivers are together, parenting is challenging," said Neal A. Lester, professor of English and director of Project Humanities. "Tonight’s conversation, in partnership with the Come Rain or Shine Foundation, continues our ongoing series on parenting via the lens of Humanity 101 — respect, integrity, compassion, forgiveness, kindness, empathy and self-reflection. Our diverse panelists remind us again that there is no ideal parenting manual and that to be ‘good’ parents, we must be good adults.”

The Oct. 22 event's panel featured William Fabricius, an associate professor in ASU’s Psychology Department; Eboni Morris, a licensed clinical psychologist who works at a correctional facility; Kaine Fisher, a senior partner and family law attorney at Rose Law Group in Scottsdale; and Annapurna Ganesh, program director for the Early Childhood Education program at Mesa Community College. Michelle Melton, a licensed clinical psychologist based in Phoenix, handled facilitating duties.

People in a Zoom meeting

Humanity 101 panelists discuss the idea that the mythology of the "nuclear family" that consists of a mom, a dad and two children is little more than a fairy tale because in reality, family structure has always been varied and evolving. Discussing co-parenting in the first part of the 21st century are (clockwise from top left) Annapurna Ganesh, facilitator Michelle Melton, Kaine Fisher, ASU Associate Professor William Fabricius and Eboni Morris.

The panel was tasked by Project Humanities to define co-parenting; identify the challenges and feelings of the co-parenting experience; discuss the role of race, ethnicity, socioeconomic status, gender, sexuality and religion; look at the legal system and how it deals with co-parenting; and offer tips, resources and best strategies to support co-parenting families.

Insightful answers were not in short supply.

The panel essentially agreed with the American Psychological Association’s definition of co-parenting: “An enterprise undertaken by two or more adults who together take on the socialization, care and upbringing of children for whom they share equal responsibility.”

But there are many nuances to co-parenting, and by the end of the session, many of those layers had been explored. According to Fisher, co-parenting applies not only to birth parents but divorced and separated couples, same-sex couples, grandparents and stepparents.

“I tend to lean towards a more broad definition of co-parenting because I see such a broad scope in the line of work I do,” Fisher said.

Ganesh said there are three types of co-parenting models:

  • Conflict parenting is when parents create a toxic and harmful environment for the children, which usually ends up in court.
  • Parallel parenting is when the two adults share very little communication with each other but work with the child. She said children can often take advantage of this scenario because they get shuttled back and forth.
  • Cooperative co-parenting is when parents collaborate and keep an open line of communication with each other. Most important, their child’s needs are the center of attention.

“In these three different models, we see the challenges the child faces when their feelings aren’t taken into consideration,” Ganesh said.

Within the mix of those models are a plethora of potential issues. They include the mental health of one or two co-parents, drug and alcohol abuse, money problems, domestic violence, and religious, cultural or racial differences.

“Children pick up on everything,” Fabricius said. “They think their parents aren’t happy with each other, even if they’re not fighting — that can be just as hard on children because they feel like, ‘I might be abandoned if my parents don’t like each other. I’m going to be left alone.’”

Morris, who works in the correctional field, said she has seen incarcerated parents maintain positive relationships with their children despite their situation.

“I think the reason why it has been so successful is because of that attachment and open line of communication,” Morris said. “They convey that understanding, ‘I’m here (for you) regardless of where I am.’ Children understand that.”

Family law attorney Fisher said co-parents need to prioritize the needs of the child; otherwise, they end up needing his service and finding themselves in front of a judge — a place they do not want to be.

“Judges refer to themselves as ‘complete strangers' … and that complete stranger is going to probably meet these people (co-parents) for about an hour to three hours, or a full-day trial if you’re lucky,” Fisher said. “Then they’re going to be making decisions about where that kid goes to school, who makes the decision about medical or who’s their doctor … I don’t want strangers making decisions for my kids.”

While the panel listed plenty of challenges that come with co-parenting, they agreed that the main goal of parenting is simple: Communicate and put the wellness and the needs of their children first.

“No matter what, it’s always about the child,” Ganesh said. “The child is the future of society.”

 Top photo by iStock images

Reporter , ASU Now

480-727-5176

 
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ASU Art Museum explores light as a medium and source of energy

Download ASU Art Museum's free coloring book, "Traditional Stories of Light."
October 22, 2020

Free coloring book, available now, shares Native American stories of light

The ASU Art Museum is exploring light as an artistic medium in several ways this semester.

“Traditional Stories of Light” is a new all-ages coloring book that’s available for free at the ASU Art Museum or to download. The project is a collaboration of the museum and three Native American artists: Vanessa Moreno, who is Purépecha and Tepehuán, designed the book, which was illustratrated by Eunique Yazzie, who is Navajo, and Dustin Lopez, who is Navajo, Yacqui and Laguna Pueblo.

Artist Leo Villareal will debut a work in mid-November that uses technology to harness light and is unique to the ASU Art Museum.

And on Dec. 22, the ASU Art Museum will hold a “Sunrise Light Walk,” a guided walk that explores features on the Tempe campus using the four cardinal directions as a guide.

These projects exploring light are in addition to ASU’s ongoing relationship with James Turrell, a renowned artist who is creating a masterpiece of light at Roden Crater, a large-scale installation in northern Arizona. Turrell has created several smaller scale works that also manipulate the viewer’s sense of light, and one of those, “Air Apparent,” is on ASU’s Tempe campus.

The use of light in art goes back centuries, according to Miki Garcia, director of the museum.

“The notion of light as it refers to the heavens or God or transcendence, and, within individual cultures, light as a source of energy and life has a deep, rich history,” she said.

Turrell has shaped his Roden Crater installation, inside a volcanic cinder cone, to become a natural camera obscura.

“In his work, he sees light as a material the way you would see oil or pastel or bronze – as a material you can shape to experience different visual and body sensations,” Garcia said.

Villareal works with light from a technology perspective, using LED bulbs and computer programming to create illuminations. For the new work, debuting in mid-November, Villareal did three-dimensional mapping of the ASU Art Museum building and used the data to create an active light work that will be specific to the museum.

The “Native Stories of Light” project was an intentional effort to expand the consideration of light beyond the work of Turrell and Villareal, Garcia said.

“We’re making a very concerted effort to make sure that all of our programming is considering our place in Arizona,” she said.

“We’re not just ‘Any Museum USA.’ We’re in a site that is on Tohono O’odham land. So this is an example of how we’re trying to move the museum toward a more open and inclusive and accessible space so we can be a museum for all.”

Yazzie, one of the coloring book illustrators, has long incorporated light as a medium. She uses metallic paper to create floor-to-ceiling installations that shimmer.

“I do artwork that’s reflective and has some sort of iridescence to it. It’s like I’m weaving light,” she said.

“The coloring book is a different take on how light can be introduced by either traditional stories or by having an Indigenous narrative.”

Yazzie and Lopez had heard their own communities’ traditional stories, but they also researched other narratives.

“In Arizona, there are a ton of stories we can choose from, but I don’t know all the traditional stories for all 24 tribes in Arizona,” she said.

“We were thinking about sources of light – fire, the stars, sun and moon. Those are symbols we looked for in other narratives, and a lot of those symbols are in every tribal creation story, which we call emergence.”

Yazzie said that Lopez contacted traditional storytellers in different tribes and the artists learned the most appropriate ways to create the book, for example, by using only parts of stories.

“For traditional stories like the ones illustrated in the coloring book, some of them are not within the time frame to be telling the story. For most tribal nations, the story time is during the winter,” she said. “The first frost is when you can begin telling your cultural stories.

“We learned the background and the cultural significance and how we could reproduce it in the best way without stepping on traditional belief systems,” said Yazzie, who also recorded voice-overs for an app that will be available to accompany the sunrise walk on Dec. 22.

On Oct. 25 at 10 a.m. Yazzie and Moreno will participate in a Zoom conversation with Kathryn Medill, the audience experience coordinator for the museum.

In the spring 2021 semester, Marc Neveu, head of the architecture program in The Design School at ASU, will teach an iCourse titled, “Turrell and Roden Crater: Art, Design and Tech.” The course has no prerequisites and is open to anyone.

Top image: A portion of the cover image from “Traditional Stories of Light,” a coloring book designed by Vanessa Moreno and illustrated by Eunique Yazzie and Dustin Lopez, in collaboration with the ASU Art Museum.

Mary Beth Faller

Reporter , ASU Now

480-727-4503

School of Music, Dance and Theatre events celebrate ballroom culture


October 22, 2020

Come AZ You Are, a minifestival celebrating spaces of affirmation and radical joy through art as social (inter)action, kicks off Oct. 23.

The interdisciplinary festival is inspired by the vogue and ballroom culture rooted in LGBT communities and is open to all. The program bridges the diverse communities on campus and outside of Arizona State University to foster transformational community through arts and culture.  X-Savior Thomas performs during Come AZ You Are 2019. Download Full Image

This year's festival hosts dynamic local and national artists and includes a performance, exhibition battles and a panel discussion. The event is part of the School of Music, Dance and Theatre’s Sol Motion series and cuts across the disciplines of dance, fashion, theater, design, music and more.

This year's Come AZ You Are series of events focus on connecting communities together with an online experience through two days of Zoom events. 

The first day includes a docuseries screening of “My House” featuring Precious Ebony, Tati Mugler, Alex Mugler, Jelani Mizrahi, Lolita Balenciaga and Relish Milan, and a panel discussion featuring Marlon Bailey, Enyce Smith and alumni Caress Russell and Rylee Locker. 

During the second day, attendees will get the chance to meet eight members of the West Coast ball scene and watch them represent their category in a demo ball. "Face," "runway," "realness" and "vogue performance" are in the lineup for the night. Other festivities include performances, a vogue workshop with Enyce and a session on learning how to make your vote count. The event will include Calypso Balmain, Rosie Ninja, Torie Balmain, Legendary Mike Mike Escada, Teyana Garcon, Jaylen Balmain, Pink Escada and Rigo Ninja.

The event is co-sponsored by Performance in the Borderlands and the Arizona Commission on the Arts.

In conjunction with Come AZ You Are, Performance in the Borderlands is also co-sponsoring “Soul Claps in the Sanctuary: Black Performance as Black LIberation in the '80s and '90s” on Wednesday, Oct 28. The virtual event features DJ and scholar Lynnee Denise in conversation with Marlon Bailey, associate professor of women and gender studies in the School of Social Transformation. Both Denise and Bailey focus their work on queer Black cultural movements as places of Black survival. 

During the event, Denise and Bailey will explore Black music and performance as radical sonic landscapes of Black liberation and share their perspectives on Black feminism, the cultural politics of blues and techno music, and ballroom dance in Detroit. Bailey will talk about his scholarly work on underground ballroom culture as a creative space for Black joy, and Denise will talk about house and techno music as sonic landscapes of Black liberation connected to the politics of identity.

Other co-sponsors for “Soul Claps in the Sanctuary” include the Center for the Study of Race and Democracy and the School of Social Transformation.

Both events are free and open to the public online. The in-person event is open only to registered ASU students. 

Come AZ You Are 

Day 1: 5–9 p.m., Friday, Oct. 23
Register

Day 2: 4–8 p.m., Saturday, Oct. 24
Register

Via Zoom

A limited number of students who have registered via ASU Sync may choose to attend in person until the cap is reached. 

Soul Claps in the Sanctuary

10–11:30 a.m., Wednesday, Oct. 28

Via  Zoom

Danielle Munoz

Media and Communications Coordinator, School of Film, Dance and Theatre

480-727-4298

ASU Student Accessibility remembers former associate director Jim Hemauer


October 20, 2020

Jim Hemauer, former associate director of Arizona State University’s Disability Resource Center (now known as Student Accessibility and Inclusive Learning Services), died on July 17, 2020, at age 65.

A leader in the disability community, Hemauer devoted his academic and professional life to ensuring that accessibility was a priority at the university and beyond. Jim Hemauer, former associate director of ASU Student Accessibility Jim Hemauer, former associate director of Arizona State University’s Disability Resource Center (now known as Student Accessibility and Inclusive Learning Services), died on July 17, 2020, at age 65. Download Full Image

He began his time at ASU as a graduate student, earning a master's degree in counseling with an emphasis on higher education and disabilities. Prior to that, he received his BS in social work from the University of Wisconsin at Oshkosh.

After graduating from ASU, Hemauer worked as a counselor for Disabled Student Services at Scottsdale Community College and as a program coordinator for the Disabled Student Resource Center at the University of Arkansas.

Hemauer returned to ASU in a professional capacity in 1985 and held various positions within Disabled Student Resources throughout his 25 years working for the university. He started as a program coordinator focused on orthopedic disabilities, and in 1988, transitioned to a disability specialist, senior. In 2006, he was named associate director of the Disability Resource Center, the position he held until he retired from ASU in 2010.

Along with his dedication to helping students succeed, Hemauer also devoted his time and expertise to numerous projects, boards and trainings focused on equity and inclusion for people with disabilities.

He consulted with the National Football League for Superbowl XXX, the Grand Canyon on creating accessible facilities and the National Science Foundation on accessibility for the Arizona Science Center. He served on the Arizona Governor’s Commission on Head & Spinal Injuries, the Nina Mason Pulliam Scholarship advisory board, Valley Metro’s Phoenix Community Council and many others. He also presented at conferences like the National Association of College Residence Halls, was a frequent guest lecturer at ASU and spoke at many schools throughout the Phoenix area. 

Hemauer is remembered fondly by his colleagues as someone who valued hard work and doing things well, loved the ASU community and had a lasting impact on those he served.

Jim Hemauer on Palm Walk

Jim Hemauer on Palm Walk on ASU's Tempe campus.

Chad Price, director of Student Accessibility and Inclusive Learning Services, said Hemauer “was part of the team that made services for students with disabilities what it is at ASU.”

“Jim modeled the charter of ASU before it was the charter,” Price said. “He valued others and found ways to encourage them to be better and seek out ways to improve the space and practices to ensure accessibility. He invited others to be a part of the effort and showed by example.”

James Morin, supervisor for Student Accessibility Transportation, noted that, “Jim brought the (Disability Resource Center) to the community. Accessibility, whether architectural or academic, were his priorities on and off campus.” 

“He brought visibility and a can-do spirit with a humble heart to all of his work,” said Lori Johnson, manager of Student Accessibility services for the deaf and hard of hearing. “There was a strong sense of humanity to his leadership position, which endeared him to many across the four campuses.”

“Jim's quiet strength, great sense of humor and sense of self are missed tremendously," Johnson said. "He came from an era where disability rights were just starting out, and he worked quietly and tirelessly to make sure that those rights were given the recognition they should be. He ensured that today's students have much greater access in all areas of this ASU campus and community.”

Copy writer and editor, Educational Outreach and Student Services

480-965-6837

ASU professor wins National Communication Association book award


October 14, 2020

Benny LeMaster, assistant professor of critical/cultural communication and a performance scholar in the Hugh Downs School of Human Communication at Arizona State University, was awarded the 2020 Best Book Award from the National Communication Association (NCA) ethnography division for "Gender Futurity, Intersectional Autoethnography: Embodied Theorizing from the Margins."

LeMaster co-edited the book with friend and colleague Amber Johnson, an associate professor of communication and social justice at Saint Louis University. They will receive the award at the NCA virtual conference in November.  ASU professors Benny LeMaster and Amber Johnson on the ASU Tempe Campus in 2019 with Johnson’s pop up museum Professors Benny LeMaster and Amber Johnson on the ASU Tempe campus in 2019 with Johnson’s pop-up museum designed to engage community members in discussions and activities around bias, social justice and empathy. Download Full Image

The book is aimed at undergraduate, postgraduate and professional degree students in the humanities and social sciences, such as communication and gender studies, that utilize qualitative methods. 

“Their work represents an important milestone as it helps give individuals voices and vocabularies from which to explain, enact and embody their identities," said Hugh Downs School Professor and Interim Director Paul Mongeau. "It foregrounds important concepts and lessons that have been largely ignored in communication scholarship.”

LeMaster says they created the book after receiving requests for classroom activities that affirm trans students. 

“Because there wasn’t much trans-affirming content, we decided to fill this need,” said LeMaster.

Johnson says their goal is to replace all other gender communication textbooks with this one: “The gender communication textbooks with new editions, where the authors mention ‘trans,’ think that they did their job. But they didn’t.”

LeMaster, who uses they/them pronouns, adds that most gender communication books rely on “science” to justify people’s gender rather than a person’s sense of self.  

“It’s frankly insulting for those of us who are outside of the normative sort of understanding of gender, and it can be really frustrating as an academic trying to enter into a space that’s clearly exclusionary by design,” they said.

Reviewers have called the book "spectacularly diverse" and an "intimate, nuanced and cutting-edge" collection that "fills a void in ethnographic research." They noted that "there was a revelation with every turn of the page," with writing that prompts self-reflexivity and challenges readers to examine themselves to "expose places of bias." Overall, reviewers noted, this book "exemplifies the tremendous promise of autoethnography to do critical and pathbreaking work."

cover of ASU professor's book

"This award recognizes the cutting-edge value of Professor LeMaster's co-edited collection, including its capacities to touch readers, through narrative and autoethnography, with a wide range of voicings, embodied experiences and critical reflections,” said Daniel Brouwer, an associate professor at the Hugh Downs School.

“Professors LeMaster and Johnson envisioned a project that questions what we think we know about gender and its intersections — via discourses, institutions and structures — and they set an agenda for imagining and mapping new gender futures. Working with 25 different contributors on more than 20 distinct entries, they have created a series of creative meditations, in multiple styles and genres of composition, on repression and violence as well as play, joy and survival.”

LeMaster says the book is about “understanding gender through lived experience, as opposed to something reductive like a predetermined identity category.

“The book covers all kinds of gender expressions and embodiments, not just variant ones. We also have cisgender people in the book. I am really proud of what we did.”

Manager, Marketing and Communication, Hugh Downs School of Human Communication

480-965-5676

Decades of progress for Latino scholars at ASU

Partnership between community organizations, ASU help enrollment, graduation rates for Latino, Hispanic students in Arizona


October 13, 2020

They’re future diplomats, entrepreneurs and community advocates. But they’re also effecting change in the present day. Currently 110 Sun Devils make up the cohort of Latino Partnership Scholars, a collaboration between Arizona State University and partner organizations that was founded in 1984 to support underrepresented students and make a collective impact for access to education in the Latino community.

Originally launched as the Hispanic Community Partnership Program, the initiative established an endowment thanks to an investment from Freeport-McMoRan to the Una Promesa Para el Futuro Campaign. In 2007, the program became known as the Latino Partnership Scholars, with current partners including Chicanos Por La Causa, the ASU Chicano/Latino Faculty and Staff Association, Hispanic Business Alumni, Los Diablos Alumni and the Si Se Puede Foundation. A group of ASU Los Diablos Alumni scholars Los Diablos Alumni scholarship recipients are part of the Latino Partnership Scholars group of 110 students at ASU. Download Full Image

Together, the scholarships have supported students earning 605 degrees from 2011–19 alone, to the tune of $6.5 million total. The awards support students who are already serving their communities, and one award focuses on science, technology, engineering and math majors. The percentage of Latino Sun Devils among enrolled students at ASU has grown from 14.6% in 2009 to 23.7% in 2019.

Celina Villa, an ASU junior majoring in psychology and minoring in human and family development, said her scholarship through Chicanos Por La Causa has fundamentally changed not only her academic life but her professional track and her mental health during COVID-19. 

“I was personally in a really, really dark spot because COVID hit and I think a lot of kids went through an anxiety and depression phase,” she said. “It kind of felt like they pulled me out of that hole and were like, listen. You’re doing great things. You need to realize that. And realize how many lives you’re impacting right now by being a part of this.” 

Every Latino Partnership Scholar participates in networking, community service and mentoring activities. For Villa, her service work has put her in a leadership position in Chicanos Por La Causa's information technology office, where she coordinates the distribution of hundreds of computers to local families who need devices for at-home schooling. Experiences like this have showcased how the scholarship impacts her “beyond education.” Villa said she has met a lot of people who have influenced her life. 

“I’ve been taught so many things,” she said. “It’s really awesome, especially for someone who had no idea what IT is. I think I’ve taken on the perspective of how can I apply my degree to something that's very out of the ordinary.”

Villa, who is from Laveen, graduated with her associate degree through dual enrollment and AP credits in high school. Though her ultimate goal is to pursue her master’s degree and open her own psychology practice as a trauma specialist for children, Villa said she wants to stay in the Valley and stay involved with Chicanos Por La Causa and the community. 

For first-year Sun Devil Genesis Rivas, her Laura Rendón Scholarship through the ASU Chicano/Latino Faculty and Staff Association was a poignant moment as a first-generation college student. She grew up acutely aware of the hardships her parents faced, and her family had been facing financial stress for months before she was about to start college.

Her mother immigrated from Culiacán, Mexico, and endured family separation, having to sleep outside in sweltering temperatures and acclimating to a new culture when she arrived in the United States. Rivas, who is majoring in marketing, said she wants to radiate pride for her family and her culture. 

(The scholarship) just gave me a moment to reflect on what I come from,” she said. “We have so many more privileges than my mom ever had. I put my energy toward making her proud, my dad proud.”

Rivas already has a lot to be proud of. As a high school student she was involved in the Make a Wish Youth Leadership Council, student government and also in March for Our Lives Arizona as a special projects director. She helped organize summits, lobby days and town halls about gun violence prevention in her junior and senior years at Westview High School in Avondale. She helped pass a resolution in Tolleson Union High School District to provide more mental health services for high schoolers; she even met some of the student advocates who had been affected by the Parkland, Florida, shooting in 2018, an event that inspired her to get involved in youth activism. 

“The 2016 election was the start of everything for me. It kind of woke me up into the state our country is in,” she said. “And then once Parkland happened, there was never really a movement for youth. And I saw that. I was so amazed. I got to meet a bunch of the creators.”

Although she’s spent her first semester at home, attending classes through ASU Sync, she’s involved in Undergraduate Student Government’s internship program and also became a member of Alpha Chi Omega. Rivas wants to pursue advertising and digital communication and eventually work for Twitter. 

She said it was emotional when she received her scholarship because she had been panicking about loans. The news came right in time, and she’s loved being a part of her cohort so far, attending heritage events and connecting with peers and mentors. 

“I screamed and showed (the scholarship letter) to my mom,” Rivas said. “She stood up, started screaming, crying, and it just made me so happy to see that my hard work finally paid off for something.” 

Rivas said she’s happy to have the chance to meet her fellow scholarship recipients and connect with them. “It’s a close-knit community,” she said. 

A sense of community also looms large with business and Chinese language and culture sophomore Armando Hernandez, whose scholarship is through Los Diablos Alumni. Hernandez is passionate about representing the intersections of his identity as both Latino and gay, and he is very inspired by his fellow scholarship recipients. 

“(The scholarship) has meant so much. … It is the connections. I have found amazing people who are some of the most compassionate and motivated people I have ever met,” Hernandez said. “It’s so inspiring to see another group of Latinx students who are not only motivated but they have goals and dreams.”

Hernandez said he’s inspired to be surrounded by friends who have such impressive goals.

“Some of these people want to be an astronaut and they want to go to Mars, and that motivates me and that makes me very happy to know that my Latin Hispanic community is out there,” he said. 

Hernandez, who is from Phoenix, said he has also gained invaluable professional development in service, mentorship and networking for his future career in the foreign service. 

“They have provided me with so many amazing opportunities to meet new people within my field,” he said. 

Growing up surrounded by his entrepreneurial family, Hernandez was drawn to the business field and has been busy working on his Chinese, working with the Arizona Human Rights Campaign and keeping students civically engaged through his job as a resident assistant at Hassayampa (he has a goal that all his residents will be registered to vote).

From his perspective, his entire university experience has been amplified by being part of the Latino Partnership Scholars program.

“A lot of us would not be here in university if it weren’t for the scholarship,” Hernandez said. “It has really truly enriched our educational experience here at ASU. Just providing us with more resources and allowing us to make connections with people who are like-minded.”

Vice President of Outreach Partnerships Edmundo Hidalgo said that the Latino Partnership Scholars program is an opportunity to multiply the impact that scholarships have on students who deserve support. The program also helps work toward ASU’s goal of parity in six-year graduation rates across racial and ethnic groups. ASU provides funding annually for the program, and fundraising is ongoing to build on that financial base. 

“The collaboration and investments from community members and our partner organizations have made an enormous impact for ASU and for hundreds of deserving students,” Hidalgo said. “Our financial foundation and the collaboration of our partner organizations amplify our efforts to support students and help them reach their full potential.”

Maria Elena Coronado-Sutter is a co-coordinator for Chicanos Por La Causa's scholarship program and can’t help but see the connection between the ASU students who formed Chicanos Por La Causa more than 50 years ago and modern day scholars, many of whom are first-generation students and low-income students. Chicanos Por La Causa's Executive Vice President of Strategy and Relationship Management Max Gonzales said that the organization is proud to have been a partner for more than 15 years, interviewing scholarship applicants and connecting them with resources for student success as well as instilling a sense of service to the community. 

“After they graduate they don’t forget that they also have a responsibility to bring others with them,” he said. “We hope that they achieve all the success they want to achieve in their lives, but let’s not forget that you have a whole community behind you that we need to lift up. And if we can instill that in the forefront of their mind when they’re out there and they’re succeeding, then we have been successful.”

You can support the Latino Partnership Scholars program by donating through the ASU Foundation to the Los Diablos scholarship, the Hispanic Business Alumni scholarship, the Chicano Faculty and Staff Association scholarship, the Chicanos Por La Causa scholarship and the Si Se Puede Foundation scholarship

Hannah Moulton Belec

Marketing content specialist, Educational Outreach and Student Services

480-965-4255

 
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Music therapy professor starts journey to greater inclusivity with listening

Music therapy professor takes on role to grow inclusivity in Herberger Institute
October 13, 2020

Melita Belgrave is new associate dean for culture and access in Herberger Institute

Opening the door to inclusivity starts with a lot of listening, according to Melita Belgrave, an associate professor of music therapy who has been named associate dean for culture and access for the Herberger Institute for Design and the Arts.

“The thing I tell everyone is that there were so many bullet points in the job description, and really, it’s turned into listening sessions,” Belgrave said of the new position.

“Every school and unit has different needs. It’s a lot of listening to the students.”

As part of her role, Belgrave is working with Race Forward, a national organization that provides research and training to advance racial equity.

She’ll continue teaching and providing music therapy, which she’s currently doing through the Musical Instrument Museum in Phoenix. Belgrave also wrote a chapter and co-edited the text for “Music Therapy in a Multicultural Context: A Handbook for Music Therapy Students and Professionals,” released Sept. 21.

In addition to the new associate dean’s position, the institute has named Dontá McGilvery, PhD candidate in the theater for youth program, as dean’s fellow and coordinator for culture and access. He’ll help integrate students into the work of Race Forward and advise the dean on actions to support students.

Belgrave answered some questions from ASU Now:

Question: What are you working to accomplish in this new role?

Answer:  I’m hoping to build a culture of empathy and equity.

A lot of people say, “I don’t know what it’s like to be Black.” You don’t have to know what it’s like to be Black. You just have to have empathy. If this was happening to you, how would you feel?

The other thing that happens a lot as we are moving and changing the culture and changing the systems is that sometimes, fear sticks in. You have to be vocal in a way you haven’t been vocal before. You have to stand up in a way that you haven’t before. I want to empower everyone to be a change agent while decreasing the power of fear.

In this role, I get to do so many things. I’m building a core equity team in (the Herberger Institute) across five schools and the ASU Art Museum made up of faculty and staff with myself as well as Dontá McGilvery. What’s new is that group will work on developing policies and processes around equity. We’re working with the Race Forward team on strategy sessions and training sessions.

I’ll get to work on events. When we say “culture,” we want people to belong and feel welcome. It is all of the different parts of us. While you’re here, what do you do?

Q: How do you promote inclusivity?

A: When you think about diversity, it can be, “OK, there are 10 brown people here.”

You got them here, but what do they do while they’re here? Are there systems in place that support them?

Q: How do you promote empathy and reduce fear?

A: One, by being myself. Clearly, I laugh a lot. There’s the ability to bring joy and humor.

It’s about building relationships and slowing down. That is the thing. If an issue comes up, it’s, “Oh my gosh, I have to come up with an answer.” But there’s always two sides to a story. There’s always perception. So if we slow it down, it allows everyone the chance to be vulnerable. You have to build vulnerability and trust in these experiences.

That doesn’t mean it pushes me away from ever getting it wrong. You’re always growing, always trying to do better.

Q: What are some obstacles to inclusivity?

A: Any time you’re a large institution, it’s really hard.

If you think you’re getting it right but you’re not, that’s a problem. You have to make sure you have the right people at the table that are giving you advice.

Make sure you’re using the right tools. I tell everybody, "Get a framework you’re operating out of."

It’s the idea of a checklist vs. integration. A checklist means you ask me to show up at the meeting. Integration means you share an agenda, tell me how long to talk, what you want me to do.

No one wants to get it wrong.

Q: How do you listen?

A: Knowing how to listen to people is a hard spot. The framework we started using within (Herberger) is the social change ecosystem by Deepa Iyer.

We’ve used it at our trainings and retreats and huddles that we have.

It gives roles that people play. People are weavers or storytellers or the front-line responders, the ones who respond immediately, or disrupters or healers.

When you start thinking in that lens, you listen differently. You notice who’s missing. There are nine roles. It centers on equity, liberation, justice and solidarity.

It helps us understand that we’re all trying to do the same thing. We’re not pitted against each other. We understand, “This is what you bring. This is what I bring.”

Q: What about ASU’s Charter?

A: The charter is beautiful. It is a good first step. The charter is lacking action steps.

So for example, “… measured not by whom it excludes, but by whom it includes and how they succeed …” means we have all these beautiful people here.

The protest a few weeks ago and the change.org petitions are for a multicultural center, and this is not the first year that students, faculty, staff and alumni have been asking for a multicultural center. It’s not enough to include BIPOC students and faculty. You must work toward listening, hearing and providing what they need to feel safe. Asking for a multicultural center is asking for safety.

If you want people to thrive and be their best selves and be creative and strive to be No. 1 in innovation, you must listen to what they need when they get here.

Q: What else does the position entail?

A: It’s events. The way we think about commencement. The way we think about any welcome ceremony. It’s HIDA Day, which will probably get pushed into the spring. How do we make sure we are weaving all of everyone’s humanity into that?

Another part of my job is connecting people when I hear things. “This group is doing XYZ; you should connect for your research project.” The more we can find those connection points, the better it is.

Q: You have a new book chapter out. What’s it about?

A: I’ve gotten to be involved in the national office of the American Music Therapy Association as we’ve been deepening our work in multiculturalism and diversity. The Diversity, Equity and Inclusion Committee presented at a conference a few years ago and was contacted by a publisher. We thought the book could be a project for the committee to do.

It’s a handbook meant to be used in the classroom. I used my chapter, about music therapy in aging, in class two weeks ago.

One of the things that’s neat is when we think about the different categories of diversity and culture. In my work with aging, we always have to think about that. Aging has a lot of loss, so we have to make sure everyone has access.

I used to work in a retirement center, getting information out to older adults. Not everyone could read because of the small print, so we had a call-in line and I read the newsletter aloud every week. I would blow it up and post it in the elevator. There was also an in-house TV system so I would type it in there.

So this idea of putting information into multiple places in multiple ways so people have access is a thing for me. As I continue doing music therapy virtually with the MIM we’re always thinking about that. Who’s not here? To do this over Zoom you need a certain level of technology, and not everyone has access.

How can we make this look different?

Top image: Melita Belgrave, associate professor of music therapy, leads the School of Music's Wind Ensemble during the first Herberger Institute Day at Tempe campus in 2017. Photo by Deanna Dent/ASU Now

Mary Beth Faller

Reporter , ASU Now

480-727-4503

 
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These 12 spring ASU English courses will make you rethink … everything

October 13, 2020

“There is nothing new under the sun, but there are new suns.”

— Octavia Butler

Viruses, vaccines, voting, virtual fatigue and Vespa mandarinia (remember “murder hornets”?): 2020 certainly has given us much to ponder. With such challenges afoot, the Department of English at Arizona State University has curated an eye-opening, uplifting course list for spring 2021 to help you cope.

ASU English promises an “aha!” moment or two in its upcoming sessions on leadership, plague literature, videogames, borderlands poetry and internet language. Courses on African American literature, environmental media, fiction writing and culturally relevant classrooms also bring fresh takes.

Some offerings provide historical context for understanding the present moment. Others develop practical skills for the future.

Registration information for these and a sampling of other spring semester classes is provided below. Find more in the ASU class schedule (search by “ENG,” “FMS,” “LIN”  or “APL” prefixes), searchable by both online and in-person/ASU Sync options.

1. ENG 472 – Rhetoric of Leadership

 Andy Bosselman, Streetsblog Denver on Flickr.

Greta Thunberg addresses climate strikers at Civic Center Park in Denver. Photo credit Andy Bosselman, Streetsblog Denver on Flickr. Used under CC 2.0.

What it is: Leadership is more than a job description or character trait; it’s a complex rhetorical practice. ENG 472 – Rhetoric of Leadership develops skills in rhetorical analysis and discusses strategies for navigating challenges in current and/or future leadership positions. At the end of the course, students will be able to formulate a solution to a contemporary public crisis.

Why it matters: From global pandemics to wide-scale social unrest, 2020 has shown us that being leader means encountering moments of crisis. In an election year, informed citizens have an opportunity to closely consider and choose leaders who inspire positive social, political and institutional transformation.

Who’s in charge: Assistant Professor Jacob Greene developed and manages this online course, to which a number of award-winning ASU faculty – including Krista RatcliffeKathleen LampKeith MillerStacey MoranPeter Goggin and Kyle Jensen – contributed lectures and assignments. Greene, a specialist in digital writing, is the co-editor of issue four of the writing, media and ecology journal Trace, themed “Writing New Material for Digital Culture” (2020).

Who should take it: Undergraduates of any major currently enrolled in ASU Online and who have interests in rhetoric, writing, literacy, leadership, communication, persuasion, argument, advocacy or politics. Limited iCourse seats for Tempe campus undergraduate students are also available. Some prerequisites apply; see course catalog for specifics.

If you register: Rhetoric of Leadership (class # 29813) is offered through ASU Online in Session A and as a Tempe campus i-course (class # 20993). 

2. ENG 414 – Studies in Linguistics: Language on the Internet

 Internet Slang Added to Oxford English Dictionary. Image by See-ming Lee 李思明 SML / SML  from PC World. Used under CC-BY-NC-ND 2009

OMG! LOL: Internet Slang added to Oxford English Dictionary. Image from PC World created by See-ming Lee 李思明 SML / SML. Used under CC-BY-NC-ND 2009.

What it is: This course is an exploration of the history and analysis of memes, emoji, typographical tone of voice, and more. ENG 414 – Language on the Internet offers a framework for treating internet language as a valid area for empirical research. Participants are encouraged to draw from their own experiences.

Why it matters: “Because Internet.” That’s the title of a 2019 book by Gretchen McCulloch – also this course’s text and its central premise: that we must understand the digital forces acting upon language if we are to communicate with each other in meaningful ways.

Who’s in charge: Assistant Professor Kathryn Pruitt is a phonologist – someone who studies systems of sounds in languages – and teaches in the linguistics and applied linguistics program in the Department of English.

Who should take it: Any undergraduate with an interest in language, linguistics, communication, digital media, popular culture, technology or internet culture who has met language course prerequisites; see course catalog for details.

If you register: Language on the Internet (class # 21050) meets Mondays and Wednesdays from 3 to 4:15 p.m. on ASU’s Tempe campus or on Zoom via ASU Sync.

3. FMS 394 – Media and the Environment

Dump sampling of computer waste. Image courtesy Basil Action Network on Flickr.

BAN investigator Clement Lam takes a soil sample along a riverside where circuit boards were treated with acid and burned openly. Image from Basel Action Network on Flickr. Used under CC 2.0.

What it is: How do natural landscapes factor into the production, design, and use of media technologies and infrastructures? FMS 394 – Media and the Environment is an introduction to critical and theoretical approaches within media studies that explores the relationship between humans, media technologies and our environments. Students arrive at an understanding that all media — from stone, to paper, to film, to television, to the internet – are assemblages of both nature and culture.

Why it matters: In an era of climate change, a purely mediated reality poses an existential challenge for the future. How do we make our media sustainable?

Who’s in charge: Assistant Professor Lisa Han, whose past work has focused on mediation of seabed landscapes, is the course instructor. She has also published work on fetal ultrasound, abortion media and internet freedom.

Who should take it: Undergraduates in any major who have an interest in film, media, technology, environmental engineering, infrastructure, sustainability, digital humanities or environmental humanities.

If you register: Media and the Environment (class # 30237) meets Mondays and Wednesdays from 6 to 7:15 p.m. on Zoom via ASU Sync.

4. ENG 294 – Plagues, Epidemics and Literature

The black death in London. Woodcut, circa 1665. Public domain image from Wikimedia Commons

The black death in London. Woodcut, circa 1665. Public domain image from Wikimedia Commons.

What it is: The COVID-19 pandemic will be one of the defining cultural experiences of our time, but for centuries human beings have confronted and been shaped by epidemic diseases. ENG 294 – Plagues, Epidemics and Literature, a timely introduction to the burgeoning health humanities field, analyzes narratives of epidemic, contagion and quarantine — past, present and future. What do these stories reveal about how communities respond?

Why it matters: In this global watershed moment, considering cultural responses to the spread of pandemics like COVID-19 may uncover possible solutions.

Who’s in charge: Associate Professor Cora Fox, director of the Interdisciplinary Health Humanities Certificate in The College of Liberal Arts and Sciences and the Health Humanities Initiative in the Institute for Humanities Research teaches this course.

Who should take it: Undergraduates of any major with an interest in public health, medicine, literature, history, fiction, nonfiction, theater, disease, religion or health humanities, who have met basic first-year composition requirements.

If you register: Plagues, Epidemics and Literature (class # 31725) meets Tuesdays and Thursdays from 3 to 4:15 p.m. on Zoom via ASU Sync.

5. ENG 394 – Poetics of the Borderlands

Street in a border city / Photo courtesy Maritza Estrada

Street scene in a border city. Image courtesy Maritza Estrada.

What it is: This place-based exploration looks at poetry and stories of the U.S.-Mexico border. ENG 394 – Poetics of the Borderlands focuses not only on the geopolitical border — including its physical land and space — but interior borders as well, like absence, desire, body, family, grief, and exile. Students read and write poetry while engaging with nonfiction, fiction, film, zines, and other multimedia/art.

Why it matters: As scholars, thinkers and writers from many disciplines, it is vital to create conversations, art and community within and outside academic fields – in other words, across borders.

Who’s in charge: Maritza Estrada, the artistic development and research assistant for ASU’s Center for Imagination in the Borderlands and a graduate student in creative writing is the course instructor. Estrada is mentored by center director and Associate Professor Natalie Diaz, a MacArthur Fellow and the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry.

Who should take it: Any undergraduate with an interest in poetry, fiction, nonfiction, storytelling, art, borderlands or border culture who has met basic first-year composition requirements.

If you register: Poetics of the Borderlands (class # 32119) meets Wednesdays from 4:30 to 7:15 p.m. on Zoom via ASU Sync.

6. ENG 606 – Culturally Sustaining Pedagogy

Image from ASU's El Dia celebration in 2015 / Photo by Bruce Matsunaga

Image of students at ASU's 2015 El Dia celebration. Photo by Bruce Matsunaga/ASU.

What it is: This education course focuses on developing curriculum and instructional strategies that reflect the diversity of students’ cultural and linguistic backgrounds. ENG 606 – Culturally Sustaining Pedagogy will help students begin to articulate their own, critically informed approaches to youth cultures, languages and literacies in classroom settings.

Why it matters: Today’s educators are most effective when they acknowledge and include community and student knowledge, expertise and understanding in the constructions of pedagogies. Validating students’ lived experiences inside the classroom is a step toward justice and equity in the larger world.

Who’s in charge: Assistant Professor Sybil Durand, a member of the faculty in the English education program, teaches this course. Durand specializes in youth participatory action research (YPAR) and most recently published the co-authored article in The Urban Review (2019): “’It’s Everybody’s Job’: Youth and Adult Constructions of Responsibility to Take Action for School Change through PAR.”

Who should take it: Graduate students interested in work with youth in and out of school settings. May be particularly appropriate for in-service language arts teachers in need of professional development hours.

If you register: Culturally Sustaining Pedagogy (class # 18753) meets Mondays from 4:50 to 7:35 p.m. on ASU’s Tempe campus or on Zoom via ASU Sync.

7. FMS 394 – Videogames and Narrative

Courtesy image of Instructor Jeff Holmes playing videogames

ASU Instructor Jeffrey Holmes playing videogames. Courtesy of Jeffrey Holmes

What it is: An introduction to video game story design, this course emphasizes the role of story in game development and production as well as the emergent stories that happen when we play. Students in FMS 394 – Videogames and Narrative focus on the steps of developing and “pitching” a game story concept in a culminating semester project: the Game Design Document.

Why it matters: While the pandemic slowed down most industries, 2020 has been a banner year for video game makers. Students who understand the process of video game design and creation are better positioned to be critical consumers – and even authors – of virtual entertainment.

Who’s in charge: Instructor Jeffrey Holmes, who teaches in the Department of English’s film and media studies program, is this course’s instructor. Holmes is the author of the chapter “Video games, Distributed teaching and learning systems, and multipedagogies” which appeared in “Remixing Multiliteracies: Theory and Practice from New London to New Times,” edited by Frank Serafini and Elisabeth Gee (Teachers College Press, 2017).

Who should take it: ASU Online undergraduates in any major with interest in video games, game design, storytelling, technology, digital media, virtual entertainment, narrative structures or digital humanities.

If you register: Videogames and Narrative is offered through ASU Online in both Session A (class # 23876) and in Session B (class # 19715). 

8. ENG 459 – The African American Short Story

Image of book with fanned pages from Pexels

Image courtesy Pexels.com.

What it is: Encounter the sophisticated, strategic and always-magical form that is the African American short story. ENG 459 invites us to think together about what becomes visible and possible when Black American writers like Charles Chesnutt, Alice Dunbar-Nelson, Anthony Grooms, Carolivia Herron, Pauline Hopkins, Langston Hughes and more use short fiction to speak truth to power, history, desire, tradition, pain and love.

Why it matters: The short story is a powerful, strategic, sophisticated and influential form. Short fiction offers searing revelations about everyday life, exposes the humanity that persists in the face of adversity, and bears witness to the beautiful and the tragic forces that shape the world in which we live. Who wouldn’t want to know more?

Who’s in charge: Foundation Professor Lois Brown, director of ASU’s Center for the Study of Race and Democracy, is author of “Encyclopedia of the Harlem Literary Renaissance” (Infobase Publishing / Facts on File, 2005) and “Pauline Elizabeth Hopkins: Black Daughter of the Revolution” (University of North Carolina Press, 2008).

Who should take it: Undergraduates with an interest in literature, culture, history, art forms, race and African American studies, or reading and writing fiction who have met specific English course prerequisites; see course catalog for details.

If you register: African American Short Story (class # 32122) meets Tuesdays and Thursdays from 1:30 to 2:45 p.m. on Zoom via ASU Sync.

9. ENG 213 – Introduction to the Study of Language

Google BERT SEO by GiroScience from INK News, used under CC 4.0

Image of Google BERT SEO by GiroScience from INK News. Used under CC 4.0.

What it is: What exactly is “language?” How do we study it, how do we explain it, and what do we “do” with it? It’s the work of linguists and applied linguists to answer these questions. ENG 213 introduces curious glossophiles to the scientific study of language, which has many subfields of inquiry ranging from natural language processing and machine learning, to fictional and theoretical languages, to the documentation and revitalization of endangered languages.

Why it matters: Language is one of the most important things that humans do; it defines us a species. Our abilities to communicate, think abstract thoughts, create and solve problems are often realized through language. ‘Nuff said.

Who’s in charge: Assistant Professor Tyler Peterson, who teaches in the Department of English’s linguistics and applied linguistics program, is the instructor for this course. One of Peterson’s current interests is in using popular media as a tool for engagement in endangered language learning.

Who should take it: Undergraduates in any major who are interested in language, communication, linguistics, translation, second languages, indigenous languages, endangered languages, natural language processing, machine learning and artificial intelligence, and who have met basic, first-year composition requirements.

If you register: Introduction to the Study of Language (class # 18916) meets Mondays and Wednesdays from 4:30 to 5:45 p.m. on ASU’s Tempe campus and on Zoom via ASU Sync.

10. ENG 388 - Intermediate Creative Writing Workshop in Fiction: Form, Theory, and Practice

“Open up to imagination” image by Ryan Hickox on Flickr. Used under CC 2.0

“Open up to imagination” image by Ryan Hickox on Flickr. Used under CC 2.0.

What it is: OK, so you’ve learned Freytag’s Triangle, which shows how a story’s internal framework represents the rise and fall of a crashing wave. Did you know a story’s structure can mirror the spiral of a hurricane? ENG 388 will expand upon lessons from previous writing workshops to further illuminate the possibilities of storytelling and imagination.

Why it matters: Albert Camus said, “Fiction is the lie through which we tell the truth.” One might argue the need for a whole lot more truth-telling these days.

Who’s in charge: Fiction writer Tucker Leighty-Phillips, a teaching assistant in the Department of English’s creative writing program, is the course instructor. Leighty-Phillips published the flash fiction story, “The Toddlers Are Playing Airport Again” in XRay Literary Magazine this past July.

Who should take it: Undergraduates of any major who are interested in fiction, short stories, creative writing or narrative and who have met specific English course prerequisites; see course catalog for details.

If you register: Intermediate Fiction Workshop (class # 18738) meets Mondays and Wednesdays from 3 to 4:15 p.m. on Zoom via ASU Sync.

11. ENG 205 – Introduction to Writing, Rhetorics and Literacies

Students install the "Selves in Systems" art exhibit at ASU's Ross-Blakley Hall. Photo by Bruce Matsunaga

Students in Elenore Long's ENG 205 class work on an art exhibit, "Selves in Systems: A Rhetorical Arts Installation." Photo by Bruce Matsunaga/ASU.

What it is: This introductory survey illuminates how people use language and other symbols to carry out their daily activities. The goal in ENG 205 is to strengthen each student’s own repertoire of communicative skills and decision-making power, so they can produce and circulate work that matters in our risk-ridden world. Quite simply: This is a course in asking and taking up good questions.

Why it matters: How can we employ words sufficient to the challenges of the times? Not only is answering this question important practice for students’ postgraduation futures, but also for the here and now.

Who’s in charge: Professor Elenore Long, who also directs graduate studies in the Department of English, teaches this course. Long’s latest book is “A Responsive Rhetorical Art: Artistic Methods for Contemporary Public Life” (University of Pittsburgh Press, 2018).

Who should take it: Any undergraduate interested in language, writing, rhetoric, literacy, communication, advocacy, argument or public speaking who has met basic, first-year composition requirements.

If you register: Introduction to Writing, Rhetorics and Literacies (class # 19826) meets Tuesdays and Thursdays from 1:30 to 2:45 p.m. on Zoom via ASU Sync. 

12. English 598 – Genre in the Writing Classroom: Research, Theory, Practice

Is refrigerator magnet poetry a genre? Photo from ASU’s 2017 celebration of National Day on Writing, credit Bruce Matsunaga.

Is refrigerator magnet poetry a "genre"? Photo from ASU’s 2017 celebration of National Day on Writing by Bruce Matsunaga/ASU.

What it is: This course for educators explores research and theory about genres of writing. By “genres,” we mean types of texts, processes used to compose them, practices used to understand them, and the social roles or rules that govern them. Making your head spin? ENG 598 will break down this complexity and ask students to put theory into practice – using vehicles such as op-eds, podcasts, social media or other – in a final project.

Why it matters: For educators, learning how to incorporate multigenre, real-world writing into classroom practice is critical for students’ current and future success.

Who’s in charge: Associate Professor Christina Saidy, who teaches in the English education program at ASU is the course instructor. She’s co-author of “Creating Literacy Communities as Pathways to Student Success: Equity and Access for Latina Students in STEM” (Routledge, 2018).

Who should take it: Any graduate student with an interest in language arts, education, teaching, classroom practices, writing, rhetoric, literacy, or linguistics and applied linguistics. May be particularly appropriate for in-service language arts teachers in need of professional development hours or students enrolled in ASU’s Master of Arts in English Education program.

If you register: Genre in the Writing Classroom (class # 26229) meets Tuesdays from 4:50 to 7:35 p.m. during Session A on Zoom via ASU Sync.

Top photo courtesy Martiza Estrada.

Kristen LaRue-Sandler

senior marking & communications specialist , Department of English

480-965-7611

ASU expert discusses partisan conflict in the U.S.


October 8, 2020

This fall there is more on Americans' minds besides cooler weather and autumn colors. With the changing of the season comes talk of elections.

Election season brings with it the discussion of topics like health care, immigration, national security and racial issues. Have varying opinions on these topics always existed amongst political parties in the United States? Does that divergence hold true among racial and ethnic groups as well? Download Full Image

Arizona State University Assistant Professor Narayani Lasala-Blanco, Robert Y. Shapiro  and Joy Wilke take a deeper look in their recent articleThe Nature of Partisan Conflict in Public Opinion: Asymmetric or Symmetric?” published in American Politics Research.

The data for this article was assembled from over a 45-year timespan and tracked Democratic and Republic opinion changes by race and ethnicity for many issue areasThe issue areas included in the analysis are: social safety net spending, health care spending, inequality, standard of living, environmental spending, government scope and performance, immigration, racial issues, abortion, gay rights, gay marriage, women’s role, national security spending, foreign aid, diplomacy and world affairs..

Lasala-Blanco, who is part of the School of Politics and Global Studies, spoke with ASU Now about a few takeaways from their research.

Question: What were some of your key takeaways when looking at the political parties as a whole?

Answer: The main takeaway is that reports in the media and think tanks incorrectly give the impression that all groups are equally polarized on all issues and that this polarization is symmetric — due to Republicans becoming more conservative and Democrats more liberal over time. If it weren’t for people of color, especially Blacks and Hispanics, the partisan conflict would be a lot more bitter and polarization in the country would be more extreme. This is very important as Blacks and Latinos are often portrayed as too liberal or even radical in issues such as immigration, racial issues and welfare when in fact, both Republican and Democrat Black and Latino opinion continue to be more moderate than their fellow white partisans.

Also, taking the time to track partisan opinion over time and for different groups allowed us to find out that symmetric polarization is a rare phenomenon; it only happens for a few issues even among white partisans.

Q: Do these partisan trends hold true when looking at those with and without college degrees?

A: Yes, the only difference is that those without a college degree had a much more conservative starting view on most issue areas. For example, Republicans especially have not changed their positions about race or immigration in the past four decades.

Q: Looking ahead, might we expect a continuation of partisan divergence when looking at political opinion on these issues? Or is there reason to expect less partisan polarization?

A: It seems like partisan divergence is here to stay in certain issues. However, the picture this data paints opens up significant opportunities for more moderate leadership and candidates in both parties to seize this opportunity and get elected, which in turn would contain partisan divergence in the general public. Also, population replacement will matter if trends continue as they are among groups. The bigger the influence Latinos and Blacks have, partisan divergence and extreme partisan conflict should decrease.

Matt Oxford

Manager of marketing and communications, School of Politics and Global Studies

480-727-9901

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