Graduate College appoints Professor Enrique Vivoni as associate dean for graduate initiatives


January 15, 2019

Enrique R. Vivoni, professor with the School of Earth and Space Exploration and the School of Sustainable Engineering and the Built Environment, has been named associate dean of graduate initiatives in the Graduate College at Arizona State University.

Vivoni replaces Brian H. Smith, who returned to his full-time faculty position at the School of Life Sciences in December. Smith was instrumental in advancing graduate international initiatives and partnerships. “We want to thank Brian for his service and dedication, and wish him the best,” said Alfredo Artiles, dean of the Graduate College. Enrique Vivoni Enrique Vivoni was named as associate dean for the Graduate College. Download Full Image

As the associate dean, Vivoni will lead international initiatives at the Graduate College to enhance ASU’s global presence, further develop the Postdoctoral Affairs Office and broaden knowledge mobilization initiatives.

“Enrique has been deeply engaged in graduate education,” said Artiles. “His impressive and expansive experiences will serve him well as associate dean and I am confident he will bring strong leadership and innovative initiatives to our college.”

Vivoni has been at ASU since 2009. Before that, he was an associate professor with the Department of Earth and Environmental Sciences at the New Mexico Institute of Mining and Technology.

His research is on interactions of water in the lithosphere, biosphere and atmosphere, with his scientific and engineering work conducted in urban and natural settings of the southwestern U.S. and Mexico.

“I hope to bring the spirit of innovation to initiatives at the Graduate College focused on student and postdoctoral scholar mentoring, international engagement and knowledge mobilization,” said Vivoni. “Through these efforts, we will make ASU a more welcoming place for students and scholars from around the world who value interdisciplinary endeavors that impact local and distant communities.”

In previous work, Vivoni spent a year in Baja California, Mexico, conducting climate change research with the support of the Fulbright Garcia-Robles Award and CONACYT sabbatical programs. Vivoni expanded his long-term collaborations with institutions in Mexico to gain cross-border knowledge on water resources and the effects of changing land cover and climate conditions.

Vivoni earned a PhD in hydrology in 2003 and a MS in environmental fluid mechanics from the Massachusetts Institute of Technology in 1998.

“I consider that my upbringing in Puerto Rico and my academic and family life on both sides of the U.S.-Mexico border have greatly broadened my worldview,” Vivoni said. “This leads me to be comfortable and curious when interacting with other cultures and to seek working relationships built upon equality and inclusion.”

As of 2016, Vivoni has been a Fulton Faculty Exemplar for two years, was nominated for the ASU Graduate College Outstanding Mentor awards in 2017 and has been a PLuS Alliance Fellow.

Vivoni has published over 145 papers in prestigious journals including Water Resources Research, Geophysical Research Lettersand the Proceedings of the National Academy of Sciences.

Vivoni assumed his new duties in January.

2019 ASU MLK Jr. Day essay and poster winners


January 14, 2019

As Martin Luther King Jr. Day approaches, so does ASU’s 34th annual Dr. Martin Luther King Jr. Celebration. 

This year, students across Arizona were encouraged to participate in the “Find Your Voice” campaign. Download Full Image

The purpose of the campaign is to share unique experiences and celebrate diversity in each other. 

Students were asked to submit essays, poems or hand-drawn posters based on their own idea of “leadership through service.” 

Out of hundreds of submissions from students in grades K–12, 24 winners were selected in four different grade categories. The winners will be honored during the ASU Dr. Martin Luther King Breakfast Celebration on Jan. 24.

The winning posters:

The winning essays and poems:

Marketing assistant, ASU Gammage

The work of writing: Bojan Louis announced as inaugural Virginia G. Piper Fellow-in-Residence


January 9, 2019

Combining the artistic space of a traditional residency with the teaching and professionalization of an academic fellowship, the Virginia G. Piper Center for Creative Writing at Arizona State University is proud to announce the Virginia G. Piper Fellow-in-Residence: a new, yearlong, full-time, benefits-eligible position presented in partnership with ASU’s Department of English and the College of Liberal Arts and Sciences’ humanities division.

The inaugural Virginia G. Piper Fellow-in-Residence is Bojan Louis, an indigenous writer and Arizona native who graduated from the MFA program in 2009 with a focus in fiction. Picture of Virginia G. Piper Fellow-in-Residence Bojan Louis Bojan Louis (2009 MFA in fiction) is the inaugural Virginia G. Piper Fellow-in-Residence. Photo by Sara Sams Download Full Image

As a writer, educator and community organizer, Louis is uniquely qualified to serve as the center’s first fellow-in-residence. Widely published in multiple genres, Louis’ debut collection of poems, "Currents," received the American Book Award in 2018. Louis also has diverse and comprehensive experience in the classroom, having taught across the Valley since 2012. Throughout, Louis has given back to the community through extensive volunteer and organizing work, playing foundational roles in journals like Waxwing and RED INK while connecting and advocating for indigenous writers in the state of Arizona and the national field. 

While the position has some analogues and other points of reference in the academic and creative writing fields — the Stegner fellowship at Stanford University for one — the Piper fellow-in-residence is unique in spirit and design, reflecting and embodying the values of outreach, inclusion, public service and social embeddedness that distinguish ASU and its creative writing program.

Over the course of a year, the Piper fellow-in-residence will teach one creative writing course a semester to undergraduate students through the Department of English and present talks, readings and other programs for the public through the Virginia G. Piper Center for Creative Writing. Candidates for the fellowship are drawn exclusively from alumni of ASU’s MFA in creative writing program. 

“The English Department is delighted to welcome Bojan Louis as the inaugural Piper fellow-in-residence,” said Department Chair Krista Ratcliffe. “His teaching will support our creative writing students interested in writing poetry, fiction and creative nonfiction.”

Louis’ class, “The Narrative and Poetic Forms of Work and Apprenticeship” is a multi-genre creative writing and English literature undergraduate class exploring the narratives, themes and poetics of what it means to work. In modern society, Louis explains, it’s easy to forget the people who build and design the products and experiences we enjoy.

“So the texts I had in mind are these people who are involved in work and have sort of vainglorious dreams of becoming something more, or not. Maybe they don’t want to, or maybe they’re just stuck. The poetic stuff is getting into the language of work and how we use terminology and words, (and) how they affect not just the person working with them but the audience or people they’re directed at. So through this I want my students to then become apprentices of taking apart these stories to sort of write their own.”

As a nontraditional student from a working-class background — Louis spent years working as a general contractor and electrician before entering the MFA program at the age of 26 and continued with the profession throughout graduate school and his own teaching — he hopes the class will create a haven for people who may not feel comfortable in academic spaces. 

“There’s such a disconnect between this working class and intellectualism,” Louis said. “Especially with this sort of presidency, this divide has gotten really big. Sometimes we throw all of these terms around in the academy like equity and unity and diversity and intersectionality, and at some point it stops meaning anything once you get outside of the academic circle.”

While Louis is still thinking about his programs, he’s already figuring out ways to empower young people, particularly those who come from community colleges or are otherwise nontraditional students. 

“How do we create conversations with people who might feel invisible?” he asked. “And before that, how do we get to students who are interested in community college and don’t know what to do? A lot of this comes with self-reflection, so giving them a moment or a workshop where they can self-reflect, so it’s not me telling them what to do or being all motivational, but asking them who they are and what they see.”

Louis is also thinking about a translation project with the Navajo Nation as a way to continue and advance his work with Native American communities. 

Whatever they end up being, Louis’ programs will be developed organically as the fellowship unfolds, as Louis and the center assess various community needs.

“His initiatives are by purpose designed to be new to the world,” explained Alberto Ríos, a Regents’ Professor of English who directs the Piper Center. “They’re going to, I hope, startle us in the obviousness of how good they are — they’ve been right in front of us all this time, and now we get to act on them. It’s rare today to be able to get the wherewithal to do something that isn’t already being done. They’re going to take some thinking through.”

Jeffrey Cohen, dean of humanities in the College of Liberal Arts and Sciences, is excited about the new fellowship's possibilities.

“I believe that the best future for the humanities involves working to ensure that the field better resembles and resonates with the students attending universities like ASU — students who represent the future of the United States,” he said. “They deserve a humanities that attends to them — and talented writers like Bojan Louis are creating exactly that.”

Jake Friedman

Coordinator, Virginia G. Piper for Creative Writing

480-965-6018

 
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New online degree takes hassle out of getting a tassel

January 3, 2019

ASU’s School of Social Transformation will offer master's degree in indigenous education to graduate students in remote areas

Putting mortarboards on Native Americans has historically been a challenge for colleges and universities.

Indigenous peoples’ pathways to higher education are littered with hurdles: Many live in remote areas, commutes can take hours and access to the internet is difficult. That especially rings true for Native American graduate students, who often work and stay in their communities after graduation.

Arizona State University’s School of Social Transformation and the Center for Indian Education have figured out a way to bring the campus to the reservation (and other remote parts of the world) with a new online master’s degree program that will debut this month.

“The center develops programs that first begin with a conversation: listening to the needs of indigenous communities who are seeking support to provide new opportunities that meet the needs of their own individual communities,” said Deborah Chadwick, interim co-director of the Center for Indian Education.

ASU Now spoke to Chadwick about the new program, which starts this semester.

Question: How did the idea for this program come about, and how long did it take to develop it?

Answer: The idea for creating an online MA in Indigenous Education program was first prompted by tribal communities and nations located within Arizona and outside the state. In conversations with them, they stressed a need for a graduate program in indigenous education that would allow potential students to stay in their Native communities and/or jobs while earning a graduate degree. This online program provides students the opportunity to stay within their own communities while strengthening their ability to work in the field of Indian education and within tribal nations’ education programs. 

Although initial conversations about developing an online program started in the fall of 2012, the actual development of the indigenous education program of study began in spring 2016 by a core of indigenous faculty from the School of Social Transformation and other faculty and staff with many years of experience working with tribal communities and Native students. This group of individuals were mindful in the development of a program of study that engages individuals who are either interested in or currently working with and in indigenous communities or schools serving indigenous children.

Q: Since this is an online degree, who will be your audience and what is your reach? 

A: We have marketed this online program throughout the U.S. and internationally. We envision people will come to the program from multiple backgrounds — education, social science, human services, environmental studies, tourism, tribal and state government entities — with an interest in building their knowledge base that focuses on indigenous education.

The primary audience for this degree are those working in indigenous education, those working for tribal nations with education programs, those businesses working on tribal land for or with tribal members and those interested in American Indian education. 

Interest in our program has come from as far away as a high school administrator and science teacher in the Philippines. We have received applications from prospective students from Ohio, Washington and Arizona. We foresee the demographics of students will broaden, as recruiting students will be ongoing.

Q: What is the benefit of learning this particular material online?

A: The online format of delivery of the indigenous education program is a way to reach a greater audience of potential students that might not have the opportunity to leave their community. I believe online courses are more accessible to students who do not have the privilege to leave their communities due to family responsibilities, employment and desire to continue supporting their tribal community.

This online program will focus on indigenous knowledge systems, current issues in American Indian education, history of American Indian education, issues of indigenous language and culture, American Indian education policy, American Indians in higher education and critical indigenous research methodologies and community-based participatory action research. 

Q: Is there a central theme in this program?

A: The MA in Indigenous Education program seeks to explore differences between the indigenous educational processes, or the ways knowledge has been passed down through generations, and Western institutions of schooling.

The goal of this degree is to provide students with an advanced theoretical foundation and current practices in indigenous education, strengthening their ability to work in the field of Indian education and within tribal nations with education programs.

Learn more about the degree on the ASU Online site. Top photo: Deborah Chadwick, project director and senior research professional at the Center for Indian Education, is leading a new online master's degree program, the MA Online Indigenous Education, with three courses being offered in the spring. Photo by Charlie Leight/ASU Now

Changing the game: Winning paper models cyberwarfare game theory

ASU professors' work honored in NSA's sixth annual competition


January 2, 2019

Arizona State University Assistant Professor Tiffany Bao won best paper for her collaborative research on cyberwarfare at the NSA’s sixth annual Best Scientific Cybersecurity Paper Competition.

Bao, a new faculty member in the School of Computing, Informatics, and Decision Systems Engineering, one of the six schools in ASU’s Ira A. Fulton Schools of Engineering, partnered with Fulton Schools Assistant Professors Yan Shoshitaishvili and Ruoyu Wang, and collaborations from Carnegie Mellon University and the University of California, Santa Barbara on the research. Tiffany Bao Arizona State University Assistant Professor Tiffany Bao. Download Full Image

The research paper, “How Shall We Play a Game? A Game-theoretical Model for Cyberwarfare Games,” explored ways of finding, exploiting and patching vulnerabilities to prepare for a strategic cyberbattle. Game theory allows researchers to model situations where decision-makers interact in a competitive activity. In the context of cyberwarfare, the decision-makers try to protect themselves or attack an organization’s information systems for strategic or military purposes.

Currently, players or decision-makers develop strategies manually, which slows down developments in the field. ASU researchers have created a new, more comprehensive cyberwarfare model that considers a greater number of decision-makers, actions and choices. Every action, including attacks and defensive maneuvers, reveals information to adversaries about vulnerabilities and choices. The new strategies aid both humans and computers in making decisions about previously unknown vulnerabilities in their own systems.

“Our model is capable of finding better solutions than previous work within seconds, making computer-time strategic reasoning a reality,” the researchers wrote in the recognized paper. “We also provide new insights, compared to previous models, on the impact of optimal strategies.”

Using this approach and strong scientific methods, the authors developed an improved cyberwarfare strategy and tested it on a previous Cyber Reasoning System entered into the DARPA Cyber Grand Challenge. In that competition, teams designed computer systems to identify flaws and protect their host systems.

“Our paper highlights the importance of making the right move in cybersecurity,” Bao said. “It reminds people that a software security technique has its practical merit only to the extent it can be used to achieve a security goal, such as protecting national computing resources.”

For the original paper, which was presented at the 30th IEEE Computer Security Foundations Symposium in 2017, Bao and five other researchers from across the country applied game theory toward advancing the human decision-making process.

Their winning paper was selected from 28 nominations of published papers in 2017.

“This is exactly the type of high-impact cybersecurity research we are conducting at ASU,” said Adam Doupé, associate director for the Center for Cybersecurity and Digital Forensics. “It shows the strength of our new faculty.”

Student Science/Technology Writer, Ira A. Fulton Schools of Engineering

Mentoring program inspires, provides hope for LGBTQ+ students at ASU


December 27, 2018

For Jay (a pseudonym), a fifth-year doctoral student originally from China, the road to academic and interpersonal success has been a long one. Originally starting on his doctoral journey in 2010, first at smaller Midwest and East Coast research institutions and finally at Arizona State University, Jay faced numerous challenges. 

Atop the strenuous research and academic expectations, Jay faced the additional challenges familiar to any stranger in a new country and culture. HUES Award ceremony with ASU Mentors and mentees from the HUES LGBTQ+ mentor program receive the Catalyst award. Download Full Image

And on top of that, Jay had a small secret: He’s gay.

An unmet need

Perceiving an unmet need within an underrepresented graduate student population, the Graduate College launched the HUES LGBTQ+ Mentoring Program in August 2017. Partnering members of the LGBTQ+ faculty, staff and graduate student communities with self-identified LGBTQ+ undergraduate and graduate students, HUES offers one-on-one mentoring, community engagement, and programming to foster support in identity navigation and community building.

With national statistics estimating between 6 and 10 percent of current college-going students identify as LGBTQ+, a potential 6,000 to 10,000 undergraduate and graduate students at ASU identify as lesbian, gay, bisexual, transgender or queer. 

“It is important that the navigation of multiple identities be a part of any larger conversation around the academic support and retention of our graduate students,” said Alfredo J. Artiles, dean of the Graduate College. “At ASU and through the Graduate College, we are fostering the development not only of world-class scholars and future knowledge leaders but are having conversations institutionally around resilience, culture and community membership as key to the successful navigation of these identities.”

HUES is part of the mentoring suite that is one of the cornerstones of the Graduate College’s community-engagement portfolio. HUES serves both undergraduate and graduate student populations, though graduate students currently constitute the majority of mentee applicants. 

“At the undergraduate level,” said Zachary Reeves-Blurton, HUES creator and program manager within the Graduate College, “our LGBTQ+ students have so many opportunities for connection, support, advocacy and leadership. A perennial issue faced by many graduate students here is something of a disconnect from our university-wide student engagement initiatives. As a university, we are very adept at engaging our undergraduates in community-building initiatives and programming. As a graduate student, you are often slightly more isolated.”

Finding a new continent — Jay's story

For many graduate students in HUES, this is their only university engagement outside their own department. 

“Everybody I hang out with is in my academic program,” Jay said. "Beyond that, I have some friends I have met at academic conferences or when I did my internship, as well as people I met at other universities I have been to.”

Like many graduate students from underrepresented communities, ASU wasn’t Jay’s first graduate institution. Previous to his arrival in 2012, he was admitted to and started doctorate work at two other institutions. But Jay didn't have anyone within his limited, mostly academic circle with whom he could share and confide in. As a gay man struggling to reconcile his sexual orientation with the cultural expectations of both his home country and his adoptive one, Jay transferred to another institution within a year.  

“I had a great [research] adviser who came to ASU,” Jay said. “So I came here.”

Despite his close academic working relationship with his adviser and finding support after coming out to peers in his program, Jay, a computer science student, still struggled to find others in his primarily heterosexual, male-dominated field with whom he could discuss matters of identity. 

“I always felt alone,” he explained. “It’s really hard, right? You have nobody to share (identity-related fears or challenges) with. You sometimes really feel desperate.”

When he learned about HUES in fall 2017, Jay signed up, eager to begin making meaningful connections within the ASU LGBTQ+ community.

Finding that community and commonality was groundbreaking for Jay. 

“It’s like you find a new continent,” he said. “Like you find a new area … something you’ve never known about before.”

Over the course of their mentoring relationship, Jay and his mentor met twice a month — or more, occasionally — to discuss everything from Jay’s hesitation to come out to colleagues once in the workplace to the best ways to meet friends and explore non-academic interests. When community events came along that Jay might be interested in — like Phoenix’s Rainbows Festival or community performances — his mentor often went out of his way to include Jay. Jay’s mentor was at his doctoral defense in October and invited Jay along for a flight-seeing tour of the Phoenix area guided by his partner, a licensed pilot.

Now, after three semesters working together, Jay and his mentor are parting ways: Jay is completing his degree and taking a position in California, and his mentor is pursuing a career opportunity on the East Coast.

Asked if he and his mentor had plans to keep in touch, Jay was enthusiastic. 

“Yeah, yeah!” he said. “We will visit each other.”

Finding a family here — Bea's story

At her previous institution in a fairly liberal state, Bea (also a pseudonym), a doctoral student, found a supportive and visible community of allies and advocates in her academic department, including fellow LGBTQ+ students and faculty. This was instrumental in her decision to begin the process of coming out.

Taken under the wing of a fellow LGBTQ+ student, Bea remembers that “something just hit me … like hope.” She said, "You need to be confident in yourself because I really wasn’t confident in myself at the time. She sort of believed in me when I didn’t believe in myself, she made me realize (I was) OK.”

The encouragement and support she received in navigating both her identity and her academic pathway eventually led Bea, who was struggling in both areas at the time, to continue on to doctoral work. 

At ASU, Bea immediately found a supportive and inclusive environment in her academic department and research group, though none were members of the LGBTQ+ community. Bea was drawn to HUES by the opportunity to expand her own limited LGBTQ+ network.

“I don’t know a lot of (LGBTQ+) people,” said Bea. “(Strong interpersonal relationships) are something I haven’t quite had since I moved here. Because my family’s out of state, my mentor is like a mother figure. I feel like that would be exaggerating, but I feel like I have a family here now.”

Like Jay, Bea’s mentor has introduced her to a wider network within the ASU LGBTQ+ community, and this, in turn, has provided her with inspiration and a renewed confidence that impacts her academic focus. “It’s great seeing who the LGBTQ+ faculty and community members are and that they can be really confident being gays and lesbians. And they’re so accomplished — it’s quite amazing.”

As it did for Jay, seeing other LGBTQ+ academics helped normalize an experience that has been a somewhat isolating one, up to this point. 

“She’s been just a great example,” Bea said of her mentor. “It helped me visualize a life, you know?” 

Catalyzing change

The ASU Catalyst Awards, an annual recognition ceremony by the Committee for Campus Inclusion (CCI) and the Office of Inclusion and Community Engagement, recognizes the impact HUES mentors have had for students like Jay and Bea.

“The work of inclusivity is woven into so much of what we do at ASU as a part of its charter,” said Stanlie James, vice provost for inclusion and community engagement. “The mandate of CCI is to educate around issues of inclusion and raise the visibility of efforts university-wide to create a sustained ecosystem of inclusivity and equality.”

Zachary Reeves-Blurton of the Graduate College receiving the catalyst award

Zachary Reeves-Blurton shows off the Catalyst award bestowed to the HUES LGBTQ+ mentor program by the Committee for Campus Inclusion and the Office of Inclusion and Community Engagement.

That’s where the Catalyst Awards come in. With inclusivity embedded within so much of what the institution does, the Catalyst Awards are CCI’s way of acknowledging and recognizing efforts to inspire and ignite social transformation and inclusion beyond the scope of expectation.

“It’s about acknowledging a job well done,” James said. “It’s about, at the end of the day, saying, ‘Hey, this team isn’t giving 100 percent; they’re giving 110 percent!’”

“It’s such an honor to be nominated,” said Shannon Lank, a HUES mentor and frequent panelist at HUES community programming. “And it was an even bigger surprise to receive the award.”

For Reeves-Blurton a defining moment was watching the mentors walk to the podium to shake hands with James and receive the award while their mentees cheered in the audience. “This is an exceptional group of mentors,” said Reeves-Blurton. “I’ve talked to the mentees in the hallways after panel discussions and it's clear the impact the mentors are having on their students is tangible.”

Jay and Bea's stories, as well as numerous other HUES participants, are Reeves-Blurton’s motivation as he pushes to expand HUES. 

“Some of the stories I hear are just incredible,” he said. “I’m so proud of what these mentorships are accomplishing. These mentors, in sharing their experiences, incorporating these students into their larger networks, giving them a shoulder to lean on here at ASU — it’s fantastic.”

For now, the bulk of HUES programming and mentoring partnerships are based on the Tempe campus. 

“We’re just starting to connect mentors and mentees downtown,” said Reeves-Blurton, “and I’m excited to start seeing interest picking up at West and Poly, too.” 

By next year, he hopes to see HUES programming taking place across all four campuses.

“Inclusion is more than just talking about creating opportunities for our students,” he said. “It’s about actually doing the work. That’s a long process, and sometimes it’s a rough road, but receiving this award tells us that we’re at least on the right track.”

The HUES program is one of two mentoring programs operated out of the Graduate College. For more information or to apply to be a mentor or mentee, visit graduate.asu.edu/professional-development/mentoring.

 
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3 tips to engineer the best gingerbread house

December 14, 2018

ASU construction students use their building skills to craft solid and delicious holiday confections

What are the best holiday gingerbread houses made of? Sugar and spice and engineering advice.

Early this month, to spark some holiday cheer before final exams, the Arizona State University student organization Advancing Women in Construction challenged students across campus to put their skills to the test in a gingerbread house tournament.

Their construction and engineering knowledge can help you build your tallest, strongest and most innovative gingerbread creation yet.

1. Give it time to dry

Probably the most common culprit behind crumbling gingerbread houses is wet icing.

“It’s very important to give enough time for the icing to dry,” said Khin Hnin Kay Thwe, a construction management student in ASU’s Ira A. Fulton Schools of Engineering and public relations officer in Advancing Women in Construction. “This is the same process used to give concrete a certain amount of time to set so it has maximum strength.”

Just as you wouldn’t want to add a roof to a building with concrete supports that are still curing, let that gingerbread house icing harden up first!

2. Balance fantasy and practicality

If you’re taking cues from innovative architects like Frank Lloyd Wright, I.M. Pei and Zaha Hadid, you’ll want to add a lot of accoutrements to make your gingerbread house dazzle.

But Thwe has another recommendation: “Be concerned about the loads you’re putting on the material to make sure it won’t fall apart.”

Consider the weight of your decorative flair in proportion to the stability of the walls and roof (and don’t forget the first tip about giving your icing enough time to dry).

Two students building gingerbread house

Mylena Dinh (left) and Amber Nguyen add decorations onto their gingerbread house. Photographer: Alisha Mendez/ASU

Planning your design ahead of time can help, as can the concept of constructability. That’s reviewing the construction plan before breaking ground to find obstacles or design and process concerns, said Kristen Parrish, associate professor of construction management and Advancing Women in Construction faculty adviser.

Knowing the end goal you have in mind is important for both sustainability and efficiency.

“This highlights the sorts of decisions that contractors make all the time about how to build a structure quickly and affordably while maintaining a safe site and delivering a quality product,” Parrish said.

With some planning, you can avoid making messes or wasting material to achieve the best results.

3. Think creatively for better designs

Though following too many creative threads on architectural style or decor can lead your gingerbread edifice to collapse, Parrish says creativity can also be a strength.

“(Gingerbread house builders) can learn about which sorts of ingredients lend the most stability, as well as shapes that best support height,” she said. “For instance, a triangular base may allow you to build up higher than a square base would permit.”

Try different materials and structural shapes and designs to find what works best.

Optional: Stick with the budget

While your opulent palace of gingerbread might stand strong using these tips, students competing in the tournament were also encouraged to create a cost-effective design with graham crackers, icing and candies for decoration.

Contending with cost constraints and limited materials mirrors the challenge construction professionals face when tasked with designing within a budget. So the competition judges scored the competitors in five categories: cost of materials, appearance, craftsmanship, color and design.

Group of about 40 students posing around gingerbread houses

About 40 students participated in the Advancing Women in Construction student organization’s semester-end gingerbread tournament. Students were separated into eight teams at the beginning of the event and given 45 minutes to create the best design based on cost, appearance, craftsmanship, color and design. Photographer: Alisha Mendez/ASU

And our winners are ...

Judged by Del E. Webb School of Construction alumni, competitors worked in teams formed at the event and “showed great teamwork and creativity throughout the tournament,” Thwe said.

The first-place winners, with the highest marks in all five categories, were construction management majors Jay Nguyen, Shandiin Yessilth, Paige Wildin and Stettler Anderson, along with Nicholas McDonald, who is studying real estate development in ASU's W. P. Carey School of Business in addition to construction management.

Wildin says her team's victory came after their initial strategy led to some broken graham crackers.

“One unsuccessful strategy we had was assembling the floors of the gingerbread house on the house’s structure because the lower graham crackers would break from the pressure we applied from above,” Wildin said. “This caused us to assemble and apply pressure to the floors in parts on the side and then gently place them one onto the other.”

Nguyen says they avoided overspending by planning out the design ahead of time and only took structural items they needed, saving much of their budget for decorative items.

“Our education played a role in our building method, choices and teamwork,” Nguyen said.

Most competitors were students in the Del E. Webb School of Construction, part of the School for Sustainable Engineering and the Built Environment, one of the six Fulton Schools, rounded out by a couple math majors from ASU's College of Liberal Arts and Sciences.

“Students not only had a chance to apply the concepts they’ve studied throughout the semester,” Thwe said, “but also to have fun and celebrate the end of the semester while building these gingerbread houses.” 

Top photo: Arizona State University construction students offer tips for the best holiday gingerbread house. Photographer: Alisha Mendez/ASU

Monique Clement

Communications specialist , Ira A. Fulton Schools of Engineering

480-727-1958

Doctoral grad makes strides in cancer treatment advances


December 11, 2018

Editor’s note: This is part of a series of profiles for fall 2018 commencement. Read about more graduates

Karthik Subramaniam set out to solve a problem that had never been attempted before. He just didn’t know what that problem was. Karthik Subramaniam Pushpavanam Karthik Subramaniam. Download Full Image

Luckily for him, his graduate advisor, Professor Kaushal Rege, had one ready for him to tackle: to affordably and easily verify the dosage of radiation delivered to cancer patients.

Subramaniam is the recipient of the spring 2019 Dean’s Dissertation Award for his dissertation “Radiation-induced nanoparticle formation as novel means of in vivo/in vitro dosimetry.”

Radiotherapy is one of the most commonly employed forms of treatment for cancer. One of the big challenges during radiation treatment is the ability to verify the radiation dose delivered to the patient.

“Available sensors for radiation dose measurement are either expensive, cumbersome to operate, require trained professionals for operation and/or lack post-irradiation stability,” Subramaniam said. “What we set out to accomplish was to develop a sensor that is easy to fabricate and operate.”

This sensor, upon exposure to radiation, changes color and the change in color is proportional to the amount of radiation the sensor was exposed to.

“What we have accomplished so far, and there is still a long way to go in advancing what we have done, is unique,” said Subramaniam. “That was exciting enough for me to keep on going and pursue this as my thesis work.” 

He won second place in the Nanoscale Science and Engineering Forum poster session at the 2018 American Institute of Chemical Engineering Annual Meeting in Pittsburgh.

One of Subramaniam’s best memories associated with ASU happened before he even arrived on campus.

“It was the moment I received the offer from ASU to pursue a doctoral degree there,” he said. “I still remember as clear as day how happy I was after I got the offer.”

Subramaniam’s passion for engineering started early; his father is a professor of chemical engineering in his native India. That passion steered him toward ASU as he wanted to pursue his own research goals.

“The biggest reason for me to enroll at ASU was the ambition shown by the university to grow and develop into one of the top research-oriented schools in the country,” he says. “Since 2012, when I began my doctoral degree in chemical engineering, the number of faculty recruited has steadily gone up, justifying my choice of school.”

Subramaniam mentored undergraduate students at ASU on their Fulton Undergraduate Research Initiative projects and master’s degree students for their theses.

“My mentees had varied educational backgrounds and I had to adapt and relearn things so that they could all constructively contribute to the growth of the project,” he said. “But the times when they start attempting creative experiments independently or suggest inventive ideas for my thesis made it all worth my time and effort.”

After he graduates, Subramaniam is looking into postdoctoral positions with aspirations of teaching.

“I am looking to gain a different set of expertise to complement the skills I already have, which will be useful in a potential career in academia,” he says. “My long-term career aspiration is to be a faculty member. I dream of a life where I can create an environment where people can be curious, just like kids.” 

His advice for his fellow students and researchers is to not dismiss a “failed” experiment.

“Learn from them about why it ‘failed,’” Subramaniam said. “I learned a lot from my numerous failed experiments.”

Erik Wirtanen

Web content comm administrator, Ira A. Fulton Schools of Engineering

480-727-1957

Construction engineering grad encourages aspiring female builders


December 11, 2018

Editor’s note: This is part of a series of profiles for fall 2018 commencement. Read about more graduates

Growing up, Sylvia Faszczewski had an affinity for math and hands-on projects. This skill set drew her to the field of engineering. Sylvia Faszczewski Sylvia Faszczewski. Download Full Image

“As many other college students can relate to, I struggled to decide upon a specific area in engineering to pursue,” said Faszczewski, a construction engineering major in Arizona State University’s Ira A. Fulton Schools of Engineering. “But I saw the most growth and opportunity to make an impact through engineering.”

After receiving valuable advice from Kristen Parrish, an associate professor of construction engineering, Faszczewski discovered the perfect fit. She found the undergraduate program offered a rigorous engineering challenge and also gave her the freedom to choose a career in engineering design or construction management.

“It was the best of both worlds,” says Faszczewski. “I could not see myself in any other degree program.”

Faszczewski’s hard work reflected her passion for the field, earning her the Robert J. Wheeler Memorial Scholarship and the Charles and Nancy O’Bannon Scholarship for Construction to support her academic studies.

Faszczewski found most professors in the construction engineering program had industry experience or were currently working in industry. One example is Chase Farnsworth, a faculty associate in the School of Sustainable Engineering and the Built Environment who serves as a senior project development manager at the construction company Mortenson.

“Some of the most valuable information I’ve received is advice based on true industry experience from professors,” said Faszczewski. “The information isn’t something students would be able to find in a textbook, which makes it priceless.”

Outside of the classroom, Faszczewski focused on supporting aspiring female builders with a “we can do it” mentality. She served as co-president of ASU’s Advancing Women in Construction initiative, an industry-led mentorship and grant program aimed at increasing the number of women in the construction management program and seeing them successfully graduate.

The women in the program also serve as role models for K-12 students at education outreach events, such as the Annual Wagon Build or Girls-Make-A-Thon.

“I’ve been given the privilege to create a strong and positive impact on the female construction community,” said Faszczewski. “My AWIC team has been able to reach (from) top construction female executives to young elementary school girls. We’re spreading the message that although we may be a minority in a male-dominated field, we can do it, and we can do it exceptionally well.”

After graduation, Faszczewski has accepted a full-time position with Mortenson Construction's Wind Energy Group. She’ll be traveling around the country building wind turbines.

Amanda Stoneman

Senior Marketing Content Specialist, EdPlus

480-727-5622

 
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How 'Sex and the City' pushed the evolution of female characters in movies, TV

December 11, 2018

Women and gender studies class explores female sexual agency as reflected in popular culture

A hit comedy series that helped to shape the image of the modern-day woman has been adopted into a gender studies class at Arizona State University. And like the show, it continues to get big ratings from students.

Michelle McGibbney’s “Sex and the City: Women, Sexuality and Popular Culture” is a seven-week online course that examines how women and sexuality have been depicted in American pop culture from the 1950s to the current day.

It’s also one of the most popular and highly anticipated classes at the university, drawing close to 1,000 students a year. Taught for over a decade, this course is offered year round and will commence again in January.

ASU Now spoke to McGibbney about the three-credit course and why it continues to resonate.

Woman in black and white photo

Michelle McGibbney

Question: Your program has a course named after "Sex and the City," the popular HBO series. In your opinion, was that show the tipping point in terms of accurately reflecting/depicting the modern-day woman and ideologies of gender and sexuality?

Answer: "Sex and the City," I think, was influential and appealing to a modern-day audience because it was less apologetic about its representations of women than we had seen. It challenged mainstream images and crossed — for some — into an uncomfortable area, examining issues that obviously existed but weren’t so openly discussed. Adoption, abortion, breastfeeding and other topics surrounding the politics of reproduction that women in modern-day America face were seen throughout the course of this show. Plus, these four women, who shared a strong bond, openly and honestly discussed sexual issues that are considered taboo, but only because they are women.

However, at the same time, in terms of it being a tipping point, we still see a rather familiar formula. We still have four women who meet the beauty standard and are set up for the male gaze. We also have the implications of race and class with these four white women who live in New York City and represent consumption. And even though the show touched on lesbianism it was still very heteronormative.

Q: Some say the feminist movement of the 1970s was the first real glimpse into representations of the modern-day woman, yet it took several decades for their lives to be depicted on television. Why so long?

A: Well, I guess I would say we have always made some progress but even still today women are held to a double standard and to a beauty standard.

But even if you look at popular shows in the 1970s, you can see the impact the feminist movement had on these representations. Feminism made these shows happen, these shows speak to and from the culture at large. In the ‘70s, in a similar setting to "Sex and the City," we saw … Mary Tyler Moore (depicting) the single girl trying to make it in the city. While this show was groundbreaking for the time in terms of showing a single, working woman, what made this show nonthreatening was her ultimate goal of marriage and landing a man. Often, as scholars have suggested, when we see a single girl trying to survive or even thrive it often becomes a cautionary tale for women warning them of the dangers of not confirming to a so-called patriarchal life.

In the ‘70s, we also saw shows like "Wonder Woman," "Bionic Woman" and "Charlie's Angels" and while not entirely liberating — and extremely full of mixed messages where the characters are tough but sexy — it was still a change from the nuclear housewife, which had dominated TV.

Q: It took a premium channel like HBO in order to portray women without being watered down. How has that affected the other networks in terms of accurately portraying women?

A: I think censorship, self-censorship and even sponsorship plays a large role in what images we consume and where. Prime-time TV still caters to the idea that families and youth are watching and offers “safe” content. While technological advancements have made HBO and others available at your fingertips whether on your phone, computer, IPad, etc., I don’t think you can compare these types of channels to prime-time TV. Prime-time TV, I think, still largely has to cater to a much wider audience and because of this the images tend to be nonthreatening. Take "Will & Grace" for example; it has recently made a comeback. While we see a gay male character in the lead role, it is still what critics consider a “safe” comedy. As critics and scholars alike have pointed out Will is symbolically coupled with Grace and her relationships often outshine his. And of course, again we have four white characters living in New York City.

Where we really see progressive representations is now on streaming services like Netflix, Hulu and Amazon that offer niche content. These audiences are paying for specific content that meets their needs, content that unfortunately, network television can’t even touch or compete with.

Q: What current shows that better represent race, class, ethnicity and age are pushing the envelope in regard to women?

A: There are many shows today that push the envelope in one way or another. Whether we see more representations of LGTBQIA communities, women of color, aging women or even single moms, we have made great strides. But in terms of an intersectional analysis I guess I have yet to find a show that truly captures it all. "The L Word," "Girls," "Girlfriends' Guide to Divorce," "Ugly Betty," "Jane the Virgin," "Grace and Frankie," "Queen Sugar" and "Insecure" have all contributed to more diverse depictions and multifaceted characters, but we still have a long way to go.

Q: Do shows that use nudity help the case in gender equality or has this shifted?

A: There is a body positive movement that embraces all body types and sees nudity and personal agency over public displays of sexual expression as a possible form of equality. While this seems to be a great message there is also another side to this story that we can’t overlook. Let’s face it, there is a significant difference between the way male and female nudity is presented in the media. And I guess I would ask: Are these depictions we see on TV, in magazines and billboards even really about empowering women?

Women are held to a different standard in terms of the body. Women, from a young age, are taught the most important thing about them, their biggest asset or contribution, is the way they look. Nudity often does not represent equality for women because of the way in which their bodies are socially constructed. Women have been and continue to be set up for the male gaze and until we have more feminist women and men behind the camera producing, writing and directing, these very sexualized yet passive images of women will continue.

Q: Why do so many students take women and gender studies classes such as this course?

A: WSTWomen's Studies courses appeal to a very diverse audience of students from all majors for a variety of reasons. As a student in our class you learn about the historical, cultural and social forces that shape our society. Students are asked to challenge conventional wisdom about gender and explore new ways of viewing the world. Courses such as this offer a new perspective through an intersectional lens, one that encourages students to critically analyze the images they see and the messages that dominate the popular discourse and to examine the relationship between popular media and social change. We offer so many engaging courses that I think really resonate with students because it helps them to make sense of important current social issues that are shaping our society.

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