Skip to main content

'Making Sweet Tea' examines the experiences of 6 black gay men in the South

Researcher and performer E. Patrick Johnson discusses his film about intersectionality


two men in documentary film

E. Patrick Johnson with Duncan on the "Making Sweet Tea" film.

|
March 09, 2020

Editor's note: An earlier version of this article referenced a live screening of the film on the Tempe campus scheduled for spring 2020, which was postponed. The event, now virtual, has been rescheduled for Jan. 29, 2021.

"Making Sweet Tea" is a documentary film that chronicles the journey of Southern-born, black gay researcher and performer E. Patrick Johnson, as he travels home to North Carolina to come to terms with his past, and to Georgia, New Orleans and Washington, D.C., to reconnect with six black gay men he interviewed for the book, “Sweet Tea: Black Gay Men of the South — An Oral History.”

Johnson transformed that book into several staged plays over the course of a decade. The film combines documentary moments from the men’s lives a decade after the publication of the book and from Johnson’s life, depicting both how the men have changed and been changed by the book and play. 

WATCH: 'Making Sweet Tea' trailer

Here we talk to him about making the documentary and issues facing the LQBTQ+ community.

Question: What’s the meaning of the term “the tea,” and therefore the title for this documentary and your book “Sweet Tea: Black Gay Men of the South: An Oral History”?

Answer: “Tea” in black gay vernacular means “gossip.” In the book and in the film, the term takes on various meanings — from the literal drink that is a staple in Southern households, to gossip, to actual stories. In general, the term is a play on all of the meanings.

Q: Do you think that with the mainstream media, the expression “the tea” has lost its original meaning? Or has it helped to unify and expand LGBTQ+ culture outside of the community?

A: I think as with any term that comes from a subgroup, “the tea” has been co-opted by the mainstream. Part of the reason for that is because of popular shows like "RuPaul’s Drag Race." But the original meaning is still there in its mainstream usage; it’s just lost some of its queer reference. It’s hard to say whether it’s helped to bring more acceptance of LGBTQ+ people, but it certainly has helped to expand queer culture outside of the community. But there is a difference between acceptance and co-optation of another’s culture. It’s not always a good thing to have one’s culture being exploited while still remaining second-class citizens.

Q: In the film, you reconnect with six black gay men you interviewed for the book more than a decade ago. What has changed in these 10 years?

A: The world has changed tremendously since the original interviews, which I conducted between 2004–2006. Marriage equality had not happened. DOMADefense of Marriage Act. A United States federal law passed by the 104th United States Congress and signed into law by President Bill Clinton. It defined marriage for federal purposes as the union of one man and one woman. and "Don’t ask, don’t tellThe official United States policy on military service by gays, bisexuals and lesbians, instituted by the Clinton Administration on February 28, 1994. The policy prohibited military personnel from discriminating against or harassing closeted homosexual or bisexual service members or applicants, while barring openly gay, lesbian, or bisexual persons from military service." were still in place and a whole host of discriminatory laws. We also hadn’t had a black president. So, in many ways, the whole world changed over the decade since the first interviews. Many changes have been for the good, though there are still challenges that remain.

Q: What hasn’t changed?

A: Unfortunately, some of the challenges for black LGBTQ+ people that were in place in 2002, such as employment and housing discrimination, racism and homophobia have not changed.

Q: Despite the cases of homophobia suffered by these men, they still decided to remain in the South. Why do you think that is?

A: Many of these men are tied to their families and their communities — communities in which they actually thrive. They also believe that moving to the North or West Coast would not necessarily make life any better for them.

Q: Religion has played an important role in U.S. history and has shaped the culture of the South. How big of an impact did religion have on these stories and your own story?

A: Religion is ingrained in the soil of the South. Everyone I interviewed was shaped by religion, whether they were still religious or not. How the men reconciled their religious upbringing with their sexuality ran the gamut. Some turned away from religion altogether, or at least the religion of their childhood. I interviewed Buddhists, Muslims, atheists, agnostics, and nonspecific spiritualists — all of whom were former or “recovering” Baptists, Methodists or Pentecostals. As for my own spiritual journey, I do not attend church, but the “church” is very much a part of me. I was raised Baptist and miss many of the rituals of the Baptist church. But I do not feel at home in traditional churches, so I practice the tenets of Christianity without the encumbrance of being a part of the institution of a church.

Q: What issues are specific or unique to the black LGBTQ+ community in the South?

A: I don’t know that the issues facing black LGBTQ+ folks are any different than those in other parts of the country. I think that religious oppression plays a bigger role in their lives in the South because the South, in general, is more religiously conservative. And, there is some evidence that HIV/AIDS disproportionately affects black LGBTQ+ communities in the South than other regions.

Q: There is still a lot to do in the LGBTQ+ community but in your experience, what more can be done to help LGBTQ+ African Americans specifically to feel loved, safe and accepted?

A: I think supporting the organizations in the South that are run by black LGBTQ+ folks, like Southerners on New Ground (SONG), National Organization of Black Lesbians on Aging (Zami Nobla) and others is the best way to help.

Q: The LGBT certificate program in the School of Social Transformation at Arizona State University introduces students to the interdisciplinary study of the identities, experiences and lives of LGBTQ+ people in the U.S. and abroad. However, the number of cisgender straight people attending these types of studies is still very low. What would you say to encourage them to enroll in these certificates?

A: Whether someone identifies as LGBTQ+ or not, it takes everyone who is committed to social equality to be an ally. Being an ally means a better understanding of what it feels like to be an “other.” One of the ways to get a better understanding is to take courses and interact with those who are different from ourselves. It is much harder to hold bigoted ideas toward people with whom you work beside, take classes with or share social space with.

Q: Could you give us a positive message for the future of the LGBTQ+ community?

A: Like every marginalized group, the LGBTQ+ community is resilient. No matter the obstacles put before our community, we continue to pursue the recognition of our humanity. It is that fighting spirit that has gotten us through a tumultuous past, and it is that spirit that ensures our presence and vibrancy for generations to come.

The screening is sponsored by Barrett, The Honors College, the LGBT Studies Certificate Program, School of Social Transformation, the Hugh Downs School of Human Communication, and Theatre and Performance of the Americas (PhD Program) and the Herberger Institute for Design and the Arts.

More Arts, humanities and education

 

Portrait of Lalo Alcaraz.

First ASU California Center artist-in-residence is animated to work with students

Growing up on the San Diego-Tijuana border and being a first-generation Chicano artist, Lalo Alcaraz didn’t see himself reflected…

March 28, 2024
Woman in a green jacket holding a black-and-white photo while smiling.

Voices from Latin America can be found in dynamic ASU research collection

Rebellious nuns. Punk artists. Ecofeminist criticism through the lens of Indigenous and Afro-Brazilian peoples. These are all…

March 28, 2024
Illustrated image of a person's silhouette blending into a DNA structure

ASU professors explore impact of STEM education in US prisons

Arizona State University professors Joe Lockard and Tsafrir Mor have spent years educating inside prisons.  From poetry…

March 27, 2024