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ASU March on West lets youth experience history

Hundreds of youngsters at ASU West re-enact MLK's 1963 March on Washington.
January 18, 2017

Hundreds rally, wave signs, cheer for equality during annual re-enactment of MLK's 1963 March on Washington

Hundreds of young people rallied to re-enact Martin Luther King Jr.’s landmark 1963 March on Washington at ASU’s West campus on Wednesday, where they waved signs, cheered for equality and listened to the “I Have A Dream” speech.

The 25th annual March on West featured speakers, a choir and educational workshops for middle school students from around the Phoenix area.

New College of Interdisciplinary Arts and Sciences Dean Marlene Tromp said the event “gives her hope for the future.”

“You should all make a special effort to make your mark on the world, because you all having something to give,” Tromp said.

The West campus tradition dates back to 1991, when it began as a way to honor the civil rights leader before the state recognized MLK Day as a paid holiday. Every year since, said director of community relations Roberta Magdaleno, the event gives participants a chance to receive a hands-on experience to supplement what they learn in the classroom. 

“This event teaches students the history and purpose of the march and the importance of civil rights, even today,” she said.

The march began at 11 a.m. with the striking of the Bool Bell, immediately followed by a procession of more than 800 students and community members who were led by a trio of drummers south from the Paley Gates to the Sands courtyard reflecting pool.

Following remarks from Tromp and a performance of both the national anthem and the traditional black national anthem, James Weldon Johnson’s “Lift Every Voice and Sing,” School of Humanities, Arts and Cultural Studies technical director Charles St. Clair delivered King’s famous speech.

“Let us not wallow in the valley of despair, I say to you today, my friends,” he recited, adding later, “I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.’”

At several moments throughout, St. Clair was drowned out by cheers and applause. 

ASU alum T.J. Jordan was in attendance as a volunteer chaperone for her daughter’s class.

“MLK Day has always been near and dear to my heart, culturally,” Jordan said, “and it’s important to bring my daughter to events like these that reinforce strong values.”

Small hands everywhere thrust posters high in the air with messages such as “We march for freedom” and “Equal rights for all.”

In closing remarks, associate professor Duku Anokye urged attendees to keep up the fight for freedom and to remember King’s words every day.

Dean Tromp similarly asked attendees to follow King’s example in exercising their democratic rights.

“I get to see people come through this campus and come out the other side and change the world,” Tromp said. “One day, that could be you.”

Top photo: Charles St. Clair recites Martin Luther King Jr.'s famous "I Have a Dream" speech Wednesday during the annual March on West. Photo by Deanna Dent/ASU Now

School of Music wins $85,000 grant for music education project

January 19, 2017

As part of the New American University, ASU’s Herberger Institute for Design and the Arts aims to embed arts-based study throughout the communities it serves locally, nationally and internationally, including investing in K-12 education through community partnerships, initiatives and faculty research.

Within Herberger Institute, the School of Music’s Consortium for Innovation and Transformation in Music Education (CITME) not only invests in those communities by conducting research to help music educators and advance music education, but also hopes to broaden and deepen how music teaching and learning can impact society and contribute to positive social transformation. Current research includes supporting connected learning in music education.  Music Education ASU School of Music associate professor Evan Tobias (standing) collaborates with music education students and community members on beat making and jamming, two themes that will be addressed in the learning playlists. Photo by Tim Trumble, courtesy of the Herberger Institute for Design and the Arts Download Full Image

In recent years, educational leaders and organizations such as the MacArthur Foundation have promoted the idea of connected learning, which uses digital media to engage students and to enhance their learning by connecting their interests with their education. A report published by the Digital Media and Learning Research Hub said connected learning emphasizes issues of equity and capacity building to create opportunities for young people and encourages youth to learn with peers and adults by pursuing shared interests and goals. 

Now, with an $85,000 grant from the sixth Digital Media and Learning Competition, with support from the MacArthur Foundation, School of Music associate professor Evan Tobias and the CITME are using these ideas to create six connected music learning playlists for educating youth through musical inquiry and in the context of artistic problem solving.

“The competition was a great fit for the Consortium for Innovation and Transformation in Music Education and our work over the past several years in exploring the potential of arts inquiry, engagement and learning to make a positive impact on young people’s lives, communities and society at large,” Tobias said. “This project is an exciting opportunity to weave together strands of research and creative work around connected learning, participatory culture, digital culture, learning and teaching and the capacity of music as a medium for people to be creative and expressive.”

Connected learning playlists are a curated group of learning experiences and resources such as videos, websites, books, games, articles and more. The different experiences are connected together to create one playlist that focuses on a theme and combines online, in-school, out-of-school and employer-based learning. The idea is to create a network of learning experiences and collaborative playlists where multiple organizations and providers may contribute. As more and more playlists are built, the connections across all learning experiences will continue to grow that learning network.

“Just as iTunes or Spotify playlists allow users to easily remix content across albums, connected learning playlists offer similarly personalized learning experiences,” according to the Digital Media and Learning Competition website.

For this project, called “Sound Explorations: Creating, Expressing and Improving Communities,” playlists will feature multiple learning pathways around six themes:

  • Coding and programming music
  • Making beats
  • Building instruments and interfaces
  • Producing music
  • Connecting music and culture
  • Jamming (solo and groups)

Each playlist’s multiple pathways will guide youth along experiences addressing National Core Arts Standards of creating, performing, responding and connecting through interest-based musical practices. The goal of the playlist set is to provide rich musical contexts that connect formal learning environments such as school music programs with community or after-school programs and informal settings such as homes or libraries.

Changing communities 

Once the playlists are created, learners will use them to develop skills of inquiry, problem-solving and reflection from an artistic perspective relating to their interests. They will generate, develop, refine and share artistic ideas, and understand and evaluate music. In addition to emphasizing creativity and fostering musical inquiry, Tobias said the playlists will also encourage students to be change makers in society. 

The music learning playlists will show students how to relate music to personal meaning and socio-cultural contexts as well as strengthen the students’ sense of selves as musical people who make a difference in their communities and society. 

“While the focus of this initiative is curricular in nature, the goal of expanding access to music learning and supporting young people develop as creative expressive persons with potential to make a difference in their worlds serves as a driving force,” Tobias said.

Projecting all voices

“Sound Explorations” not only aims to inspire users to make a difference in their communities, but also plans to make sure those change makers include all voices.

“This project speaks to a key Herberger Institute for Design and the Arts aspiration of projecting all voices,” Tobias said. “The six music learning playlists will be designed to ensure that underrepresented people are featured so that all youth see places for themselves.”

The music learning playlists purposefully address aspects of musical engagement that are typically excluded from school music programs, according to Tobias.

“Our playlists will help music educators diversify opportunities for students in music programs and the approximate 78 percent of youth who lack access or opt out due to disinterest in the ensemble performance focus typical of most secondary programs,” he said.

Through the project partners, playlists will support after-school and community programs expanding access to musical engagement and learning opportunities, particularly in settings lacking access to experts or infrastructure.   


Collaboration is at the heart of this project. Approaching the design of the playlists with principles of digital culture and participatory culture in mind means developers are casting the widest net possible to inform the development of music learning playlists. They plan to use crowdsourcing to gain perspectives and resources from people who have a passion for the topics of the lists or identify as practitioners in these areas.

Other collaborators include Alex Ruthmann at NYU, who has expertise in developing large-scale community learning initiatives and interactive digital media for musical engagement; the local community music organization Rosie’s House, which provides youth with free music lessons; the non-profit music organization Today’s Future Sound, which supports after-school beatmaking programs; the small entrepreneurial venture Sew Bright, headed by Ryan Bledsoe, a current music education doctoral student who is developing e-textiles and related opportunities for youth; three-time GRAMMY Foundation Music Education Award nominee and local teacher Richard Maxwell, who developed Arcadia High School’s Creative Musical Arts and Sciences program; and other music educators, teaching artists, community organizations and young people.

“We are excited to work with so many stakeholders and connect across the multiple contexts where young people learn and do music,” Tobias said.

Sarah A. McCarty

Marketing and communications coordinator, Herberger Institute for Design and the Arts