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October 28, 2016

In addition, Cheshire Calhoun and Zachary Holman named new Trustees of ASU Professors

Six new members will be joining Arizona State University’s Trustees of ASU today. The new group, drawing on their distinguished careers in law, the media and the corporate sector, will help support and guide the university.

The new members were announced by trustees co-chairs Bob Zollars, chairman of Vocera communications and operating partner of Frazier Healthcare Partners, and Laura Roskind, community volunteer.

The new trustees will be sworn in at their first meeting today, where they also will participate in the naming of two new Trustees of ASU Professors.

The group, formed in 2013 by President Michael M. Crow, advises the university and Dr. Crow on philanthropic opportunities and new resources, as well as helping develop strategies for increasing donor affinity.

“These are highly accomplished friends of ASU who share our vision of the New American University,” Crow said. “They not only will provide wise counsel but also strong representation for the schools and colleges of the university, serving as distinguished ambassadors for what we have accomplished and what lies ahead.” 

The new trustees will each provide a unique outlook based on their life experiences and success. The six new members are: 

Rebecca White BerchRebecca White Berch, a former faculty member at ASU’s Sandra Day O’Connor College of Law, was appointed to the Arizona Supreme Court in 2002 and served as its chief justice from 2009-2014.  Though she retired in 2015, Berch serves or has served on several boards including the Board of Directors of the United States Conference of Chief Justices, the Board of Trustees of the National Conference of Bar Examiners, and as chair of the American Bar Association Council of the Section of Legal Education and Admissions to the Bar.


Douglas FultonDouglas Fulton, chief executive officer of the Fulton Homes Corporation, was born and raised in Tempe. He has served as the military liaison for the Navy League of the United States since 2011. Fulton was a board member for Youth Assistance Foundation from 2009-2014 and currently serves on the Advisory Board. Fulton was appointed special deputy for the Maricopa County Sheriff’s Office (MCSO) and was a board member for Memorial Fund MCSO from 2008 to 2012, and he is now serving on the Advisory Board.


Brian LaCorteBrian LaCorte, a partner at Ballard Spahr LLC, directs the distinguished patent litigation team in the firm’s Phoenix office and has been involved in several prominent national patent and trademark litigation matters. A seasoned intellectual-property litigator, he practices before administrative tribunals such as the U.S. International Trade Commission, the Patent Trial and Appeal Board, and the Trademark Trial and Appeal Board. He also serves as chair of the ASU Alumni Association Board and the National Alumni Council.


Christine DevineChristine Devine, a veteran television news anchor in Los Angeles, marked her 25th anniversary at Fox News, KTTV, in 2015 and has been awarded 16 Emmys during her tenure. Divine is a proud Sun Devil alumna who was inducted into the Hall of Fame at ASU’s Walter Cronkite School of Journalism and Mass Communication. Divine is a member of the ASU Leadership Council-LA and a past member of the National Alumni Board.


Jeff WincelJeffrey Wincel, an international purchasing executive and industry leader, is the vice president/chief procurement officer of Global Strategic Sourcing at ON Semiconductor. Wincel has been selected as one of the “Pros to Know” by Supply & Demand Chain Executive Magazine four times since 2002 and was a recipient of a team award in 2013 and 2015. He also is a faculty associate at ASU’s W. P. Carey School of Business.


Ryan OHaraRyan O’Hara, the student body president at ASU’s Polytechnic campus in Mesa, has been involved with student government since elementary school — 12 years. He has a passion for student engagement and advocacy and continues to work hard to give a voice to the students. He says his current employer, Landmark Associates, gives him the opportunity to continue to grow as a leader and a young professional.


At today’s meeting, the Trustees of ASU plan to name two new Trustees of ASU Professors:

  • Cheshire Calhoun, a professor in the School of Historical, Philosophical and Religious Studies in the College of Liberal Arts and Sciences, specializes in the philosophical subdisciplines of normative ethics, moral psychology, philosophy of emotion, feminist philosophy, and gay and lesbian philosophy.
  • Zachary Holman, assistant professor in the School of Electrical, Computer, and Energy Engineering in the Ira A. Fulton Schools of Engineering, focuses his research on new materials and device designs for high-efficiency silicon solar cells and silicon-based tandem solar cells.

Both faculty members receive a $75,000 award, distributed over five years, that can be used toward their research or other priorities in their work. Their awards follow the inaugural Trustees professorship, awarded to neuroscientist Brian Smith last spring.



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Immigration stories embroidered on cloth from Border Patrol uniforms.
ASU professor's traveling exhibit hopes to work with more communities.
October 30, 2016

ASU artist works with community to grow a Desert Botanical Garden exhibit that documents stories of the journey to U.S.

On a recent autumn afternoon, the Desert Botanical Garden in Phoenix was bustling, full of mothers tending to plants: barrel cactus, prickly pears, flowering saguaros.

But these are not the usual plants one finds in this garden. These are made of material from Border Patrol uniforms, covered in embroidery — messages, written and symbolic, documenting individual stories of migration.

This is what Margarita Cabrera, assistant professor of fiber artsCabrera is an assistant professor in the School of Art. at Arizona State University's Herberger Institute for Design and the Arts, was hoping to cultivate.

“These are sculptures that go beyond works of art,” said Cabrera, who is also an artist-in-residence at the ASU Art Museum. “This is cultural documentation that needs to be really celebrated as part of our American history.”

Since 2010, Cabrera has worked with Latino communities on the project, inviting people from El Paso, Texas; Houston; Charlotte, North Carolina; Santa Fe, New Mexico; and now Phoenix to share their stories of arrival to the United States.

Cabrera leads interested members from the community through three steps: community dialogue, embroidery workshops and lastly exhibitions where the stories of participants can be shared. She partneredCabrera hopes to involve more communities and universities in the project as it is toured nationally, culminating in a 2018 exhibit in Washington, D.C. with women from the Scottsdale Prevention Institute and Southwest Key immigrant shelters for the “Space In Between” exhibit at the Desert Botanical Garden.

An embroidered cloth cactus

Gabriela Garza's figure showing the U.S.
on her mind and Mexico in her heart is
embroidered on her saguaro at the
"Space In Between" exhibit at the
Desert Botanical Garden.

Photo by Deanna Dent/ASU Now

“These pieces are of course telling very important stories, immigration stories, from our Latino communities, and they are stories that are about transformation,” said Cabrera, who emphasizes that the workshop participants are the authors of these pieces.

“They are stories that talk about their fears, our fears as a Latino community, our dreams, our hopes. They are stories that describe the journey that people have taken to come to the United States.”

Gabriela Garza led the group of mothers from the Scottsdale Prevention Institute. The Navojoa, Sonora, native came to the United States 21 years ago with her husband, living in Los Angeles before settling in Phoenix. She now has her residency.

She points to one side of her saguaro where a figure, with one closed eye showing, has a map of America embroidered on her mind and a map of Mexico with three small white crosses below the heart. She has no regrets about her decision to build her family here and spend 19 years awaiting her residency before she could travel back home.

“When Margarita told us what the materials would be, the [Border Patrol] uniforms, I loved the idea,” Garza said.

Garza, who works with parents in the Latino community, likened the use of the uniforms to the blank slate of children.

“You can see what you want — you can see the green that reminds you of the death, the pain, the sacrifice, everything that represents the power of someone else, their authority, or you can change it and that’s art,” she said.

The Virgin de Guadalupe embroidered on a cloth cactus
A Virgin of Guadalupe detail.

Many of the women likened their embroidery to the prickly pear pads on which people carve their names and their loves back home. They’ve embroidered their own experiences of crossing or flying over the border, but also the great rewards they felt from coming to a new country to establish their lives and families.

Lucia Fernandez moves around the room, her piece finished and assembled, to help other women as they trim loose threads and add small blooms to their cactus. She shows a section with a Virgin of Guadalupe, another with a sun and another pad with a moon. She recalls how she felt accompanied by the Virgin when she came to the U.S. and her gratefulness for the sun, which game them heat, and the moon that lit her way through the desert.

“I put my story as well — mostly you leave your family and what divides is a wall ... well, we left our family, and we have to fight for our future.”

She points to a heart. She says half of hers is in Mexico. “We’re divided, I guess.”

She shared the project with her mother and sister back home.

“To remember is beautiful, right? To remember everything that has happened to us.”

Cabrera also works on her own piece, a giant organ pipe cactus that looms in the corner of the room. It is full of small details, images of items found on those who perished in the desert: a Virgin of Guadalupe for prayers, a Bible and a bottle of Vicks VapoRub — someone quickly chimes in that it helps with chapped lips and that they had used garlic to keep snakes away.

The stories are all different. Some like Paola Iniesta, who had never picked up a needle in her life, entered the United States with a visa and initially felt she didn’t have a story to share and was humbled to hear the experiences of others.

“I didn’t cross the desert, I didn’t live through what some of these women lived through and a moment came when I asked myself what do I do,” said Iniesta, who is still here on a visa. “Maybe I didn’t live that experience, but I also had to leave my family, leave my mother and my nieces and nephews.”

She misses her traditions, the food and the mariachis.

“My story, my story is a little bit about leaving the place where we lived, our house and others to come and chase the American dream,” she said.

Ken Schutz, executive director for the Desert Botanical Garden, came to survey the final adjustments to the show.

“We’re an art venue but we don’t curate art, so to work with the ASU Art Museum, to work with the scholars at ASU allows us to bring in a curated show that we couldn’t do ourselves,” he said. “So I think what we add to the mix is a venue that has greater traffic, especially non-academic traffic — we can take the expertise and excellence from ASU and bring it to a wider audience.”

Sara Hernandez left Mexico 26 years ago with her two children and recalls reluctantly passing her two sons, ages 1 and 3, through the fence to the pollero (a term used for a person who is paid to help others cross the border, similar to a coyote).

She points to a stitched border wall and a McDonald’s where she waited with her children before being taken up to Phoenix in a vehicle crammed with 30 other migrants. Other pads show the words “opportunity” and a black ribbon for that 1-year-old son, who lived here for 26 years before passing away of a heart attack.

For many of the women crafting their stories on the fabric, the activity was outside their comfort zone.

“I never thought I would come and make some embroidered prickly pears in the United States,” Hernandez said with a laugh.

Hernandez — whose U.S. residency is being processed — recalls the heaviness of the material, in both a literal and metaphorical sense, “hopefully for them [Border Patrol] it will be an honor that we could work on that material. I think we didn’t know if we would be able to do it,” she says as she looks around at this makeshift garden before saying with a smile, “but it’s impressive.”



‘Space In Between’

What: Exhibit that centers on the creation of artworks and promotion of cultural dialogues on themes related to community, craft, imagination, cultural identity, labor practices and sustainability.

When: 10 a.m.-5 p.m. daily through Feb. 12.

Where: Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix.

Admission: Exhibit entrance is included with a paid garden admission or membership. General admission is $22 for adults, $20 for those 60 and older, $12 for students, $10 for children ages 3-12, free for younger than 3.



Top photo: Rosa de los Santos' prickly pear pad shows her thank you to the country she calls home at the "Space In Between" exhibit at the Desert Botanical Gardens. Photo by Deanna Dent/ASU Now