Acclaimed Italian guitarist Antonio Innocentis to perform at ASU

February 28, 2002

WHAT: Guitar Series Concert: Antonio Innocentis

WHEN: 7:30 p.m., April 5

WHERE: Katzin Concert Hall, Music Building, 40 East Gammage Parkway

TICKETS: $14 general, $12 faculty/staff/seniors, $10 students; call 480-965-6447

INFORMATION: 480-965-TUNE (8863)

“This is a new level of guitar playing unapproached by all but a few.”
-- Larry Cooperman, New Millennium Guitar Magazine, December 2000

Antonio Innocentis, an acclaimed musician known for his dark-toned virtuosity, closes out the 2001-2002 season of the Guitar Concert Series sponsored by the School of Music in the Herberger College of Fine Arts at ASU. Download Full Image

The concert is at 7:30 p.m. Friday (April 5) in the Music Building’s Katzin Concert Hall on the main ASU campus in Tempe. Tickets are $14 general, $12 faculty/staff/seniors and $10 students. Call the Herberger College Box Office for tickts, 480-965-6447.

Selections will include Bach’s Suite BWV 996 in E minor; Toccata by Paradisi; Sonatina by Harris; Three Studies from Twelve Studies, op. 140, by J.W. Duarte; Four Pieces by Barrios-Mangoré; three pieces from Cooperman’s Bless Me, Ultima Suite, and Four Caprices by Paganini.

Innocentis, who was born in Naples in 1961, was awarded “Summa cum Laude” at the “D. Cimarosa” Conservatory, Avellino, Italy, in 1985. He won the first prize in several guitar competitions including Pesaro, Bardolino and Genoa. Innocentis was the first guitarist in the world to perform the entire 24 Caprices by Paganini in one single concert. He also premiered and published several works especially composed for him. Important composers have dedicated their works to him: among them, John W. Duarte, Larry Cooperman, Jonatas Batista-Neto and Luigi Arbolino. His first recording, Guitar Recital (Fiammant Records, 1997), contains works by Scarlatti, Castelnuovo-Tedesco, Dyens and others. In September 1998 and October 2000 Classical Guitar Magazine’s music supplement was dedicated to his transcriptions. In October 1999, he was invited by Dorothy Duarte to take part in her husband’s (John Duarte) 80th birthday concert in London. Among Innocentis’ recent engagements are two world premieres:Twelve Studies op. 140 by John Duarte, in the composer’s presence, at the 6th Oatridge International Guitar Festival in Scotland, and Bless Me, Ultima by Larry Cooperman, who was present, at the Guitar Foundation of America International Convention 2001 in San Diego.

Media Contact:
Mary Brennan
480-965-3587
mary.brennan@asu.edu

Paper Interiors

February 28, 2002

TEMPE, Ariz.--Immense, projected 3-D images of microscopic paper fibers set the stage for the dance concert Paper Interiors, in which dancers appear to move within intricate mazes of fibers. The free concert is being performed March 14 and 15 at 1:30 p.m. and 7:30 p.m. at ASU’s Drama City (southeast corner of University and Myrtle Ave.). 3-D glasses will be provided at the door.

The concert is a collaborative effort of the Institute for the Studies in the Arts and the Department of Dance, both in the Herberger College of Fine Arts at Arizona State University, and ASU’s departments of biology and English. It is being performed as part of the Southwest Region American College Dance Festival, hosted by ASU this year.

Biologist Charles Kazilek and English instructor Gene Valentine produced the images that inspired the dance work and provide its backdrop. Valentine created handmade papers of cattails, yucca, agave, silk, wasp nests and other natural fibers. Kazilek photographed them using a scanning-laser confocal microscope in ASU’s W.M. Keck Bioimaging Lab. He then digitally transformed the photographs into images that could be viewed three-dimensionally using red and blue anaglyph glasses, known more commonly as 3-D glasses. Download Full Image

Technologists at the Institute for Studies in the Arts worked with Kazilek to create the system for incorporating the images on a large scale into the dance work. A pair of computers is used to project them on to an 11-by-20-foot screen made of nylon and spandex. The result is a set in which dancers are able to interact with virtual mazes of paper fibers.

Innovative costumes add to the multi-dimensional dance experience. Designers Jacqueline Benard and Galina Mihaleva, costume shop coordinators for the Department of Dance, used large-format printing technology to transfer paper fiber images directly onto the dancers’ nylon and spandex garments, creating striking results when viewed through 3-D glasses.

Dance faculty member Jennifer Tsukayama choreographed Paper Interiors for Angela Hill, Sophia Martinez-Jensen, Autumn Horrocks and Emily Finch, all recent graduates of the dance program.

“I take the audience into the microscopic world of paper-its interiors--and the audience follows the dancers through their journey into this foreign environment,” Tsukayama says. “As they emerge, float, lift their way through their surroundings, the division between human and environment is no longer distinct. Ultimately, the dancers are swallowed into the paper and the two are symbiotic.”

To view some of the 3-D images of microscopic paper fibers used in Paper Interiors, visit the Web gallery athttp://lifesciences.asu.edu/paperproject.

The Institute for Studies in the Arts is an interdisciplinary research center in The Katherine K. Herberger College of Fine Arts at Arizona State University. The ISA provides an environment that supports research and collaboration among artists, scholars and technologists. The goal is to invent and share new forms of art experience and processes for creating and teaching the arts. For more information on the ISA, visit http://isa.asu.edu.

Media Contact:
Tracey Benson
480-965-7144
Tracey.Benson@asu.edu