MainStage Season opens with world premiere by experimental theatre company Punctum


September 20, 2012

The ASU School of Theatre and Film MainStage Season in the Herberger Institute for Design and the Arts opens with experimental theatre company Punctum asking questions.

How many times a day do you push a button? What are you missing as you text, edit and flick from screen to screen? POVV by Punctum explores questions of human connectedness in a plugged-in world. Photo by Courtesy of Punctum Download Full Image

Hitting a “button” can be as simple as tuning in to a YouTube video or as morally complex as releasing a bomb from an unmanned drone flying over a foreign land. Punctum, the ASU School of Theatre and Film’s experimental theatre company, explores these issues in its new work POVV: Prisoner of View / Point of War that premieres Sept. 28 and continues through Oct. 7 on the ASU Tempe campus.

In POVV, audience members will be invited to examine questions surrounding life in the digital age. Characters in the play include a “Roomba” (yes, the little robotic vacuum cleaner) that wants to take over the world; Pulitzer-Prize winning photographer Kevin Carter, an idealistic artist searching for truth; and other characters from the real to the absurd. The result is not theatre as you might know it in the past, but something new, experimental and evolving.

“We do not have answers, but we would like to ask the questions,” said Brian Foley, the School of Theatre and Film MFA student who is co-directing POVV. “The group uses the slogan ‘Push the Button’ to inspire people to see the show. ‘Push the button’ is a provocation, an invitation, a tease, a repetition of a moment offered hundreds of times in an average citizen's daily life.”

“At the ATM, we push the button. At the grocery store, the gas station, the computer, on the mobile phone, on the car's keychain remote. POVV is simultaneously an opportunity to break out of the daily routine, out of being a prisoner of view; to blow up your daily existence, look at the individual pieces,” Foley said. “How can you fit them together in a way that works for you?’’

The creation of POVV has been an artistic endeavor that is at the heart of the School of Theatre and Film’s Master of Fine Arts degree, which seeks to create new theatre that resonates with modern day audiences, according to Foley.

“Most theatre companies are formed by like-minded artists who come together and bond over similarities of aesthetics, backgrounds, or missions,” Foley said. “In this case, thirteen artists at different stages in their lives and careers have been thrust together by the fact we are all studying at ASU. We bring different visions of theatre, different moral codes, different languages, vastly different life experience.”

“At ASU, we are literally creating the theatre of the future,” he said. “The work on the MainStage is not a retread of a Shakespeare play or a Rodgers and Hammerstein musical that many have seen before."

"We are challenging our own imaginations to create a new method of storytelling and devising new methods to bring contemporary issues to the stage. We are inviting our audiences to collaborate with us to find a vision of theatre that connects to our campus, our community in the Valley and the family of international theatre artists to which we belong.”

The group drew the name Punctum from French literary theorists Roland Barthes’ idea of a critical moment in art when “the heart is pierced” and performer and audience are close to something “resonant, striking and true,” Foley explained.

“New media is prevalent, invasive, and empowering,” said Megan Weaver, POVV co-director. “It defines the way we conduct wars, the way we disseminate information, the way we think, the very ways we form language. And it's not going away. There are some wonderful, and some uncomfortable, implications in that – and we hope POVV provokes thought, questioning and perhaps a moment of punctum.”

Performances are Sept. 28-29 at 7:30 p.m.; Sept. 30, 2 p.m.; Oct. 4-6, 7:30 p.m. and Oct. 7 at 2 p.m. at the Lyceum Theatre, 901. S. Forest Mall, ASU Tempe campus. Tickets are $8-$16 for adults with seniors, ASU faculty, students and staff receiving special rates. Group discounts are also available.

To reserve tickets contact the Herberger Institute box office, 480.965.6447 or visit mainstage. Order tickets to three or more Herberger Institute season events by Oct. 1 and receive a 15 percent discount.



Public Contact: 
Laurie Trotta Valenti
Marketing specialist
ASU School of Theatre and Film
Herberger Institute for Design and the Arts
480.965.3381
laurie.trotta@asu.edu

Media Contact:
Susan Felt
Coordinator Communications and Marketing
480-965-0478
susan.felt@asu.edu

Researcher helps investigate volatiles on asteroid Vesta


September 20, 2012

The giant asteroid Vesta, it turns out, has its own version of ring around the collar. Two new papers based on observations from the low-altitude mapping orbit of NASA’s Dawn mission reveal that volatile materials have colored Vesta’s surface in a broad swath around its equator. Pothole-like features mark some of Vesta’s surface when the volatiles, likely water, released from hydrated minerals boiled off. The findings were released today in the journal Science.

Dawn did not find actual water ice at Vesta, but signs of hydrated minerals delivered by meteorites and dust are evident in the giant asteroid’s chemistry and geology. One paper, led by Thomas Prettyman, the lead scientist for Dawn’s gamma ray and neutron detector (GRaND) at the Planetary Science Institute in Tucson, Ariz., describes how the instrument found signatures of hydrogen, likely in the form of hydroxyl or water bound to minerals in Vesta’s surface. A complementary paper, led by Brett Denevi, a Dawn participating scientist based at the Johns Hopkins University Applied Physics Laboratory in Laurel, Md., describes the presence of pitted terrain created by the outgassing of volatiles. Most Spectacularly Preserved Pitted Terrain on Vesta Download Full Image

David A. Williams, an associate research professor in the School of Earth and Space Exploration in ASU's College of LIberal Arts and Sciences, is a participating scientist on the Dawn mission and contributed to the Denevi study.

Upon finding signs of hydrated minerals, the scientists set out to find out where the hydrogen within Vesta’s surface came from. It turns out that hydrated minerals appear to be delivered by carbon-rich space rocks that collided with Vesta at speeds slow enough to preserve their volatile content.

Scientists thought it might be possible for water ice to survive near the surface around the giant asteroid’s poles. But, unlike the Moon, Vesta has no permanently shadowed polar regions where ice might survive. And the strongest signature for hydrogen in the latest data came from regions near the equator, where water ice is not stable.

In some cases, other space rocks crashed into these deposits later at high speed. The heat from the collisions converted the hydrogen bound to the minerals to water, which evaporated. The holes that were left as the water escaped stretch as much as 0.6 miles (1 kilometer) across and go down as deep as 700 feet (200 meters). Seen in images from Dawn’s framing camera, this pitted terrain is the most spectacularly preserved in sections of Marcia crater.

“When we first saw the pitted terrain in Dawn images, many on the science team thought immediately that this was evidence for the release of volatiles from the surface,” said Denevi. “The pits look just like features seen on Mars, but while water [was] common on Mars, it was totally unexpected on Vesta in these high abundances. The results provide evidence that not only were hydrated materials present, they played an important role in shaping the asteroid’s geology and the surface we see today.”

“I am tasked with the geologic mapping of Marcia crater region, and I was amazed when we saw these pitted terrains on the crater floor,” said Williams. “When you place images of this terrain side by side with images of similar terrain on Mars, it is clear why we think release of volatiles, perhaps water ice, could explain this unusual vestan terrain.”

Williams worked with Denevi and others on the Dawn team to analyze the pitted terrain on Vesta, and compare it with similar features recently identified in high resolution images of Mars. After exploring various hypotheses that might explain the terrain, the leading hypothesis became the release of volatiles during the formation of the Marcia crater.

“The key unresolved question, was the volatile material, presumably water ice, in Vesta’s crust itself when the impact occurred, or was brought in by the impactor that formed Marcia crater? Further research may resolve this question,” said Williams.

Vesta is the second most massive member of the main asteroid belt. The orbit at which these data were obtained averaged about 130 miles (210 kilometers) above the surface.

GRaND’s data are the first direct measurements describing the elemental composition of Vesta’s surface. Dawn’s elemental investigation by the instrument determined the ratios of iron to oxygen and iron to silicon in the surface materials. These findings solidly confirm the connection between Vesta and a class of meteorites found on Earth called the Howardite, Eucrite and Diogenite (HED) meteorites, which have the same ratios for these elements. In addition, more volatile-rich fragments of other objects have been identified in HED meteorites, which supports the interpretation that the materials were deposited externally on Vesta.

“Working on the Dawn mission at Vesta has been very exciting,” said Williams. “Vesta is more than just a space rock; it is a protoplanet and shows evidence of geologic processes we see on the larger planets of the Solar System.”

Dawn left Vesta on Sept. 4, 2012 PDT (Sept. 5, 2012 EDT) and is now on its way to its second target, the dwarf planet Ceres.

Nikki Cassis

marketing and communications director, School of Earth and Space Exploration