World-famous artists and curators come to Phoenix for ASU School of Art’s Visiting Artist/Scholar Series


January 13, 2015

Tempe, Ariz. – The Arizona State University School of Art in the Herberger Institute for Design and the Arts announces its Spring 2015 Lecture Series, featuring internationally renowned artists and curators whose work reflects the most pressing issues of our times. Lecturers from as far away as Vietnam and Palestine will share work in a range of media and styles, from needlepoint to iPhone apps.

All lectures are free and open to the public. Most lectures will be held in ASU’s new graduate studios at 603 E. Grant St. in downtown Phoenix. Locations, times and artist information are posted online at art.asu.edu/visitingartists Download Full Image

Questions about the series can be directed to Hilary Harp at 412.860.3296 or hilary.harp@asu.edu. The schedule and artist briefs follow.

Ricardo Dominguez: Jan. 22 
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT). His recent project, the Transborder Immigrant Tool (a GPS cell phone safety net tool for crossing the Mexico/U.S. border), won the Transnational Communities Award.
visarts.ucsd.edu/faculty/ricardo-dominguez

Afghan War Rugs panel: Jan. 29 (in collaboration with Scottsdale Museum of Contemporary Art)
Join Dr. Annemarie Sawkins, exhibition curator; Erika Lynne Hanson, fibers artist and assistant professor at Arizona State University; and Claire C. Carter, SMoCA curator, as they consider the complex origins and growing popularity of war rug motifs since the 1980s. 
smoca.org/event/weaving-war-aesthetics-contemporary-afghan-rugs

L.J. Roberts: Feb. 5 
L.J. Roberts’ studio practice primarily consists of large-scale site-specific knitted installations and detailed embroideries that explore the intersections of feminist queer and trans politics. 
ljroberts.net

Pepón Osorio: Feb. 26 
Pepón Osorio, best known for large-scale installations, was born in Santurce, Puerto Rico, in 1955. Osorio’s pieces, influenced by his experience as a social worker in the Bronx, usually evolve from an interaction with the neighborhoods and people among which he is working. 
pbs.org/art21/artists/pepon-osorio

Allison Smith: March 5 
Allison Smith’s diverse practice investigates the cultural phenomenon of historical reenactment and the role of craft in the construction of national identity. 
allisonsmithstudio.com

Emily Jacir: March 19 
Palestinian artist Emily Jacir is best known for presenting issues related to transformation, questions of translation, resistance and the logic of the archive. 
alexanderandbonin.com/artist/emily-jacir

Dinh Q. Lê: March 26 
Dinh Q. Lê uses documentary video, animation and photography to explore the history and people of his native Vietnam, usually set against impressions and representations from America. 
ppowgallery.com/artist/dinh-q-le/biography

Anne Rorimer: April 2 
Anne Rorimer is an influential curator and author who served as curator of contemporary art at both the Albright Knox Gallery in Buffalo, N.Y., and the Art Institute of Chicago. She is the author most recently of “Michael Asher: Kunsthalle Bern, 1992” (Afterall, 2012). mitpress.mit.edu/authors/anne-rorimer



Media Contact:
Deborah Sussman Susser 
480.965.0478
deborah.susser@asu.edu

Winners crowned at 7th Bösendorfer and Yamaha USASU International Piano Competition


January 13, 2015

TEMPE, Ariz. —Sung Chang, Vanessa Meiling Haynes and Haozhou Wang captured first place in their respective categories in the 7th Biennial Bösendorfer and Yamaha USASU International Piano Competition held this week, taking the top prizes in the prestigious competition on Arizona State University’s campus that featured a record-high 205 applicants from 42 different countries.

Sung Chang earned top honors in the Bösendorfer competition, earning the $15,000 David Katzin Award and an opportunity to be a featured soloist with the Phoenix Symphony. Chang, of the Republic of Korea, studies at the University of Music, Drama and Media Hanover, one of Germany's largest music-academies, and performed Saint-Saëns’ Piano Concerto No. 2 in G minor, Op. 22 in the Bösendorfer finals at the renowned Phoenix Symphony Hall on Sunday, Jan. 11, culminating a week of festivities and performances in the competition. The Bösendorfer competition features top pianists from around the world ranging in age from 19 to 32. Bonnie Barrett and Simon Oss, of Yamaha, flank Sung Chang (gold) and EunAe Lee (silver), the winners of the Bösendorfer finals. Photo by Photo courtesy of Herberger Institute for Design and the Arts Download Full Image

The Yamaha and Bösendorfer competitors vied for medals and prize money totaling $50,000.

Vanessa Meiling Haynes, who hails from USA/Juilliard School Pre-College, performed Beethoven Sonata in F minor, Op. 57 “Appasionata” in the Winners’ Recital of the Yamaha Senior Piano Competition on Saturday, Jan. 10 in Katzin Concert Hall on ASU’s Tempe campus. Haynes was awarded $4,000 and the gold medal in the Senior Competition, which features pianists ages 16 through 18.
Second prize was not awarded in this category. Chaeyoung Park captured the bronze medal and a $1,000 prize.

The top three winners in the Yamaha Junior Competition, for pianists 13 through 15, were Haozhou Wang, who took home the $3,000 Addona-Burns Award and gold medal; Elliot Wuu, who captured the silver medal and a $2,000 prize; and, tied for third prize, Charlie Liu and Allison To, who earned the $1,000 Linda and Sherman Saperstein Award and the bronze medal.

EunAe Lee took second place in the Bösendorfer competition, capturing a $10,000 prize. This year, the Bösendorfer second place award was named in memory of Phyllis Chiat, a longtime advocate of the arts who passed away last August after a short battle with cancer. Chiat especially supported and loved classical music and the piano. The award was made possible through the generous support of art lovers in the community and patrons of the ASU School of Music who knew Phyllis Chiat and her work, along with her husband, Harold Chiat, M.D. The third prize in the Bösendorfer competition was not awarded.

The distinguished panel of judges for the 2015 competition featured Brazilian conductor and pianist Ricardo Castro, Vadim Monastyrski of the Jerusalem Academy of Music and Dance in Israel, Zhe Tang from the Shanghai Conservatory in the People's Republic of China, Aleksandar Serdar of the Belgrade Music Academy in Serbia along with ASU School of Music faculty members Robert Hamilton and Baruch Meir, the founder, president and artistic director of the competition.

“This year’s festival featured many of the top young pianists from some of the world’s greatest music schools and teachers, including The Juilliard School, the Moscow Conservatory, the University of Music, Drama and Media Hanover, the Royal College of Music in London and Arizona State University,” Meir said. “The talent on display throughout the competition was remarkable.”

Four Arizona students ¬– three from Arizona State University and one from University of Arizona – were accepted to participate in this year’s competition, a testament to the tremendous quality of pianists in Arizona. Andrew Boyle, Nino Bakradze, Dani Shraibman and Xiaoyu Zhang competed for the National Society of Arts and Letters Arizona Chapter Special Award for the best Arizona pianist. Nino Bakradze won that special honor.

Sung Chang won the Sangyoung Kim Award of $1,000, which recognizes the most outstanding performance of a virtuoso work in the Bösendorfer Competition.

The Sarra and Emmanuil Senderov Award of $500 was given to Samson Tsoy for the most outstanding performances of a composition by a Russian composer. Tsoy was honored with the award in the Bösendorfer competition, and Elliot Wuu earned it in the Yamaha Competition.

A pair of Yehuda Meir memorial awards of $250 was given to the two most outstanding artistic performances of an etude by Chopin. EunAe Lee won that award in the Bösendorfer Competition, and Haozhou Wang won that honor in the Yamaha Competition.

Presented by the ASU School of Music and the Herberger Institute for Design and the Arts, in collaboration with the Phoenix Symphony, the Arizona Young Artist Committee and the Arizona Piano Gallery, this biennial competition is considered one of the best in the world.

Heather Landes, director of the ASU School of Music, and Steven Tepper, dean of the Herberger Institute for Design and the Arts, both congratulated all the winners and commended each of the participants in this year’s competition. “The Bösendorfer and Yamaha USASU International Piano Competition serves as a springboard for the development of the next generation of young artists and provides us with a reminder of the transformative power of music,” Landes said. 

A gala recital featuring members of the jury opened the week-long event on Jan. 4, followed by the competition’s live solo rounds, which were opened to the public, providing exciting opportunities to see participants from all over the world competing for advancement to the final round. The Yamaha Competition reached its conclusion when, after the results were announced, the top medalists performed on a CFX, Yamaha’s flagship concert grand piano, in the Winners’ Recital.

The Bösendorfer Competition culminated in a once-in-a-lifetime opportunity for the finalists. Each played a final concerto on Bösendorfer’s flagship concert grand, the Imperial 290, at Symphony Hall, accompanied by The Phoenix Symphony under the baton of conductor James Feddeck.

Piano Gallery, Arizona’s premier piano showroom and the state’s largest Yamaha piano dealer, was instrumental in providing the practice pianos used throughout the competition as well as arranging for the concert grands used in the finals. 
The winners were presented with medals individually handcrafted and designed by OT Jeweler of Mesa, Ariz., another generous sponsor.



Media Contact:
Deborah Sussman Susser 
480.965.0478
deborah.susser@asu.edu